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THAT SAME FLOWER

FLORIA AEMILIA'S LETTER TO ST. AUGUSTINE

Again using the device of a text-within-a-text, Norwegian writer Gaarder (The Christmas Mystery, 1996, etc.) presents the story of the woman whom Augustine abandoned when he answered God's call to the celibate life. In a brief introduction, the author describes how he stumbled upon an ancient Latin manuscript in a Buenos Aires bookshop, then bought it, believing it to be the only known letter to Augustine from Floria, his lover and the mother of his son. Written in response to Augustine's Confessions, which she has just read, the letter has the biting tone of a woman scorned, but also the drive of a fearless intellect, one able point by point to poke holes in Augustine's defense of his conversion, wittily wielding the big guns of classical philosophy from Aristotle to Cicero on her own behalf. As Floria coolly dismantles Augustine's faith, showing it to be selfish and contradictory, she doesn't shy away from memories of her former intimacy with him: their first meeting beneath a fig tree in Carthage; the youthful excesses of her ``little itchy- fingered bedfellow''; the interference of Augustine's mother, Monica, who wanted him to marry someone his social equal and who came all the way to Milan to split up the two of them, forcing Floria to leave Augustine and their son and go back to Carthage; and the couple's final meeting in Rome after Monica's death, when a few passionate weeks abruptly ended with the man of God beating his temptress until she bled, then apologizing in tears for his brutality. For all her bitterness, though, Floria also writes with compassion; her judgment, tempered by love and worldliness, never condemns even when discussing their dead son, whom she never saw again after she left Milan. A colorful exercise in breathing life into classical texts, but one that unhappily fails to loose the ties that bind it to the role of commentary, thus falling short of life as a full-fledged work of fiction.

Pub Date: Feb. 1, 1998

ISBN: 0-374-25384-6

Page Count: 180

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1997

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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