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MARGUERITE YOURCENAR

INVENTING A LIFE

The thesis of this meticulous and admiring biography is that Yourcenar (b. Crayencour, 1903-87) was both inventor and invention, creating her life along with her fiction. Savigneau (literary editor for Le Monde) struggles to establish the facts in a life of artful illusion. Inventing a pseudonym (an anagram of her given name) was for Yourcenar one more gesture of freedom from a childhood of losses that began with the death of her mother (while giving birth to Yourcenar) and that went on to include the loss of both a beloved nursemaid and of her country and home during WW I: a childhood spent with a wealthy and devoted but profligate and aging father. Yourcenar began and ended her life with love affairs with men who were much younger than herself—men who preferred other men—but she spent 40 years with a woman, Grace Frick, in a relationship so consuming that Yourcenar gave up her beloved France to live in America, among people she considered ``without civilization.'' With no formal education, Yourcenar taught beginning French at Sarah Lawrence and found acclaim in the publication of her novel The Memoirs of Hadrian (1952). Much of Savigneau's study consists of the mundane: domestic arrangements (including shopping lists) at the Maine summer house that Yourcenar shared with Frick; Yourcenar's travels, lectures, and habits of composition. The most interesting passages detail the objections of AcadÇmie Franáaise members to the nomination (and eventual election) of Yourcenar as its first woman member: ``What would she wear?'' one asked. Yourcenar mingled with no notable writers, it seems, and participated in none of the artistic ferment of her period in either Paris or New York. To control her own history, to avoid being the ``prey'' of biographers, Yourcenar left masses of well-organized papers—but she concealed those that may have answered the question that Savigneau raises without—despite her diligence—answering: What made Yourcenar a ``star,'' a ``myth,'' a ``legend''? (Fifty halftones)

Pub Date: Oct. 1, 1993

ISBN: 0-226-73544-3

Page Count: 592

Publisher: Univ. of Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1993

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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