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CHICKEN FEATHERS

Channeling Dick King-Smith, Cowley offers a warmhearted tale set on a chicken farm featuring a lad with a feathered confidante that talks—though only to him. In the double-stranded plot, Josh’s mother is abruptly off to the hospital to prevent another miscarriage, while back on the farm eggs are disappearing. Josh’s hen Semolina fearfully tells him that there’s a fox on the prowl, but Josh can’t convince his distracted dad. Then Semolina disappears, leaving blood and scattered feathers. Though the humans in the cast display individual quirks and feelings, it’s Semolina, temperamental and occasionally poetic—“Sun egg or moon egg, fast time or slow time, foxes hunt chickens with big sharp teeth”—who’s the most vividly drawn character here. Elliot provides an aerial view of the farm, plus a spare selection of spot art. Tucking in just the right number of subplots, the author builds to a climax infused with the sense of the miraculous, leverages happy endings all around (except for the fox) and closes with a twist. Not a standout, but expertly done. (Fantasy. 9-11)

Pub Date: May 1, 2008

ISBN: 978-0-399-24791-0

Page Count: 160

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2008

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KENNY & THE DRAGON

Reports of children requesting rewrites of The Reluctant Dragon are rare at best, but this new version may be pleasing to young or adult readers less attuned to the pleasures of literary period pieces. Along with modernizing the language—“Hmf! This Beowulf fellow had a severe anger management problem”—DiTerlizzi dials down the original’s violence. The red-blooded Boy is transformed into a pacifistic bunny named Kenny, St. George is just George the badger, a retired knight who owns a bookstore, and there is no actual spearing (or, for that matter, references to the annoyed knight’s “Oriental language”) in the climactic show-fight with the friendly, crème-brulée-loving dragon Grahame. In look and spirit, the author’s finely detailed drawings of animals in human dress are more in the style of Lynn Munsinger than, for instance, Ernest Shepard or Michael Hague. They do, however, nicely reflect the bright, informal tone of the text. A readable, if denatured, rendition of a faded classic. (Fantasy. 9-11)

Pub Date: Aug. 5, 2008

ISBN: 978-1-4169-3977-1

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2008

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SOME PLACES MORE THAN OTHERS

A moving exploration of the places we come from and the people who shape us—not to be missed.

On a birthday trip to New York City, a girl learns about her roots, Harlem, and how to stay true to herself.

Eleven-year-old sneakerhead Amara is struggling to feel seen and heard. A new baby sister is on the way, her mom still wants to put her in dresses, and that birthday trip from the Portland, Oregon, suburbs to New York City that she so desperately wants feels out of reach. When Amara gets a family-history assignment, she is finally able to convince her mom to say yes to the trip, since it will allow Amara to meet her dad’s side of the family in person. In addition to the school project, her mom gives Amara a secret mission: get her dad and grandpa to spend time alone together to repair old wounds. Harlem proves unlike any place Amara has ever been, and as she explores where her father grew up she experiences black history on every street. Watson is a master at character development, with New York City and especially Harlem playing central roles. Through her all-black cast she seamlessly explores issues of identity, self, and family acceptance. Although the ending feels rushed, with no resolution between Amara and her mom, Amara’s concluding poem is powerful.

A moving exploration of the places we come from and the people who shape us—not to be missed. (Fiction. 9-11)

Pub Date: Sept. 3, 2019

ISBN: 978-1-68119-108-9

Page Count: 208

Publisher: Bloomsbury

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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