Nonetheless, an incandescent retelling both timeless and, alas, all too timely.

BLOOD WATER PAINT

Baroque artist and feminist icon Artemisia Gentileschi is given voice in a debut verse novel.

Only 17, Artemisia is already a more gifted painter than her feckless father. But in 17th-century Rome, the motherless girl is only grudgingly permitted to grind pigment, prepare canvas, and complete commissions under his signature. So when the charming Agostino Tassi becomes her tutor, Artemisia is entranced by the only man to take her work seriously…until he resorts to rape. At first broken in body and spirit, she draws from memories of her mother’s stories of the biblical heroines Susanna and Judith the strength to endure and fight back the only way she can. Artemisia tells her story in raw and jagged blank verse, sensory, despairing, and defiant, interspersed with the restrained prose of her mother’s subversive tales. Both simmer with impotent rage at the injustices of patriarchal oppression, which in the stories boils over into graphic sexual assault and bloody vengeance. While the poems (wisely) avoid explicitly depicting either Artemisia’s rape or subsequent judicial torture, the searing aftermath, physical and mental, is agonizingly portrayed. Yet Artemisia’s ferocious passion to express herself in paint still burns most fiercely. Unfortunately, those who lack familiarity with the historical facts or context may emerge from this fire scorched but not enlightened. McCullough’s Rome is a white one. A brief note in the backmatter offers sexual-violence resources.

Nonetheless, an incandescent retelling both timeless and, alas, all too timely. (afterword) (Historical fiction. 14-adult)

Pub Date: March 6, 2018

ISBN: 978-0-7352-3211-2

Page Count: 304

Publisher: Dutton

Review Posted Online: Dec. 6, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come.

THE WICKED KING

From the Folk of the Air series , Vol. 2

A heady blend of courtly double-crossing, Faerie lore, and toxic attraction swirls together in the sequel to The Cruel Prince (2018).

Five months after engineering a coup, human teen Jude is starting to feel the strain of secretly controlling King Cardan and running his Faerie kingdom. Jude’s self-loathing and anger at the traumatic events of her childhood (her Faerie “dad” killed her parents, and Faerie is not a particularly easy place even for the best-adjusted human) drive her ambition, which is tempered by her desire to make the world she loves and hates a little fairer. Much of the story revolves around plotting (the Queen of the Undersea wants the throne; Jude’s Faerie father wants power; Jude’s twin, Taryn, wants her Faerie betrothed by her side), but the underlying tension—sexual and political—between Jude and Cardan also takes some unexpected twists. Black’s writing is both contemporary and classic; her world is, at this point, intensely well-realized, so that some plot twists seem almost inevitable. Faerie is a strange place where immortal, multihued, multiformed denizens can’t lie but can twist everything; Jude—who can lie—is an outlier, and her first-person, present-tense narration reveals more than she would choose. With curly dark brown hair, Jude and Taryn are never identified by race in human terms.

A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come. (map) (Fantasy. 14-adult)

Pub Date: Jan. 8, 2019

ISBN: 978-0-316-31035-2

Page Count: 336

Publisher: Little, Brown

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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How can such a hefty tome be un-put-down-able excitement from beginning to end? (glossary) (Fantasy. 14 & up)

CROOKED KINGDOM

From the Six of Crows series , Vol. 2

This hefty sequel to Six of Crows (2015) brings high-tension conclusions to the many intertwined intrigues of Ketterdam.

It's time for revenge—has been ever since old-before-his-time crook Kaz and his friends were double-crossed by the merchant princes of Ketterdam, an early-industrial Amsterdam-like fantasy city filled to the brim with crime and corruption. Disabled, infuriated, and perpetually scheming Kaz, the light-skinned teen mastermind, coordinates the efforts to rescue Inej. Though Kaz is loath to admit weakness, Inej is his, for he can't bear any harm come to the knife-wielding, brown-skinned Suli acrobat. Their team is rounded out by Wylan, a light-skinned chemist and musician whose merchant father tried to have him murdered and who can't read due to a print disability; Wylan's brown-skinned biracial boyfriend, Jesper, a flirtatious gambler with ADHD; Nina, the pale brunette Grisha witch and recovering addict from Russia-like Ravka; Matthias, Nina's national enemy and great love, a big, white, blond drüskelle warrior from the cold northern lands; and Kuwei, the rescued Shu boy everyone wants to kidnap. Can these kids rescue everyone who needs rescuing in Ketterdam's vile political swamp? This is dark and violent—one notable scene features a parade of teens armed with revolvers, rifles, pistols, explosives, and flash bombs—but gut-wrenchingly genuine. Astonishingly, Bardugo keeps all these balls in the air over the 500-plus pages of narrative.

How can such a hefty tome be un-put-down-able excitement from beginning to end? (glossary) (Fantasy. 14 & up)

Pub Date: Sept. 27, 2016

ISBN: 978-1-62779-213-4

Page Count: 560

Publisher: Henry Holt

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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