LIFE SCIENCES

When a French teenager inherits a painful curse, ordinary life ends and a quest for healing begins.

Poor Ninon! All her life she's been fascinated by the legendary curse that has affected the oldest female child in each generation of her family since Marie Lacaze suffered dancing fits in 1518: There have been "hunchbacks, epilepsy, aphasia, somnambulism, scabies...a third breast sprouting from the abdomen, nails and teeth that crumble like sand and never grow back...." Her own mother lost the ability to see colors at the age of 16, making her indifferent to Pixar animated films and superhero blockbusters. But when Ninon's variation arrives in the second half of her senior year of high school, it is far more disruptive. "Normally it's the Rihanna ringtone on her cellphone—Bitch better have my money—that wakes her at 7 a.m.," but one day it's a sudden, intense, horribly painful burning sensation in her arms when anything—sheet, T-shirt, stuffed unicorn, crumpled piece of paper—touches them. Of course she can't go to school, and in fact she won't even graduate, now condemned to full-time patienthood as she visits one doctor after the next, seeking relief from this outrageous torture (vodka and weed help only a little). No cure is forthcoming, but at least the dermatologist has a diagnosis—dynamic tactile allodynia. "It's not serious, it's mysterious, it's trying, it's rare, but you don't die from it, it's being researched, a little, it's not very profitable yet, but still, people are interested in it, kind of." This second novel from Sorman, a prizewinning novelist based in Paris, comes to us in a beautiful translation by Vergnaud, with an introduction by Catherine Lacey propounding a feminist interpretation, in case you might miss it. The pacing is rather French—i.e., slow—but the ending is worth getting to.

Will appeal to mystic intellectuals, Francophile feminists, and skeptics of both Western and Eastern medicine.