An elusive but enchanting work by one of America’s greatest authors.
Beloved by some, maligned by others, Williams’ (The Visiting Privilege, 2015, etc.) second novel, first published in 1978, has a new 40th-anniversary edition.
We meet Pearl and her infant son, Sam, in a Florida bar. Pearl is drinking gin and tonics and having thoughts like this: “You cannot keep things the way they are. They go away. They change. There has never been an exception to this rule. No mercy has ever been shown.” She's running from her husband, Walker, on whose family’s private Northeastern island she has spent the previous year. She’s running because she does not want Sam raised under the influence of Walker’s brother, Thomas, a sinister “man of the world” who raises children (“a dozen…more or less”—none biologically his) “according to his interests.” Pearl, however, wants Sam “to be a simple child, her child. Not like the others...” who seem “like deadly little flowers to Pearl, budding Satans, quoting Dante before they lost their baby teeth.” But, drinking in the bar in Florida, Pearl knows that “Walker would find her.” She is correct. After Walker’s “caress [pushes] her halfway across the room,” they board a flight back north. But, in a classic Williams turn, the plane crashes into the Everglades, Walker is killed, and Pearl returns to the family's island with a child who may be Sam but may be some other, less-loving child—one infant exchanged for another in the aftermath of the crash. What follows is part fable and part drunken nightmare. (Indeed, the novel seems to intentionally defy categorization; one can never be sure that the register with which you’re reading is the register with which the book wants to be read.) It is a loose and uneasy tale of violence, innocence, childhood, motherhood, alcoholism, grief, origins, endings, comedy, murder, metamorphoses, and God. If that sounds like a lot, it is; but when a writer works with sentences like these, she can do what she wants: “Her feeling…was curved as a ball, a belly, a noose. There was no beginning to it. No end. Come unbidden. Part pain. Part comfort. That was love….To love was only to understand death.”
An elusive but enchanting work by one of America’s greatest authors.Pub Date: April 10, 2018
ISBN: 978-1-941040-89-8
Page Count: 336
Publisher: Tin House
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
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