Oates’s most recent foray into YA fiction won’t disappoint fans of her teen writing, especially those who loved Big Mouth and Ugly Girl (2003). After surviving a car accident in which her mother dies, 15-year-old Jenna refuses her father’s offer to live with him, choosing instead to live with her aunt and uncle. Although she recovers from her extensive physical injuries, Jenna still must cope with Post-traumatic stress–like symptoms. As many teens under severe emotional stress are apt to do, Jenna makes friends with the wrong crowd, and then dabbles with drugs. Her risky behaviors eventually draw her into an extremely dangerous situation from which she narrowly escapes. Throughout the story, Jenna finds herself inexplicably drawn to Crow, a mysterious boy with a haunted past of his own, causing readers to hope that he will be the key to her recovery. Oates’s variation on a stream-of-consciousness style is appropriate for the voice of a character who spends so much time in her own head, but the ending is wrapped up a bit too simply considering all of Jenna’s issues. (Fiction. YA)
Pub Date: Sept. 1, 2006
ISBN: 0-06-073525-2
Page Count: 304
Publisher: HarperTempest
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2006
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A warm, optimistic transgender coming-of-age and queer romance.
Sixteen-year-old Miles has two goals for the year: beat his rival at the Tri-State Piano Competition and win back his ex-boyfriend.
Miles Jacobson, a White trans boy from Wisconsin, had been dating Shane McIntyre for a year before Miles came out and Shane broke up with him. He believes that if Shane really loved him, his gender shouldn’t matter. But Miles’ New Year’s resolution to win Shane back is complicated by the arrival of Eric Mendez, a cute Latine guy who actually is queer and also likes Miles. As Miles works toward his piano goals with Stefania Smith, his demanding new teacher, a romance blossoms with Eric—even though Miles still has Shane on the brain. Underhill makes it clear in a preface that this is a joyful queer story, and it lives up to that promise. The book captures the delight of being not just accepted, but also understood—as well as the pains of being misunderstood. It celebrates Miles’ real triumphs, from finding a suit that fits to mastering a Tchaikovsky concerto. Miles is likable and relatable as he tries to discover who he is on his own terms, not based on what others think of him. The author has chosen to include Miles’ birth name prominently; this is uncomfortable but realistic for someone early in his transition. The supporting characters, especially Stefania, are well developed and bring life to Miles’ world.
A warm, optimistic transgender coming-of-age and queer romance. (author's note) (Romance. 14-18)Pub Date: Feb. 14, 2023
ISBN: 978-1-250-83520-8
Page Count: 320
Publisher: Wednesday Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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