edited by Joyce Carol Oates ‧ RELEASE DATE: Nov. 1, 2011
With barely a hint of redemption to light the darkness, this volume exacts an even higher toll than the turnpike.
A tour through the Garden State is no bed of roses in this bleak collection of stories and poems.
“New Jersey is a place of secrets, complex, rotten with tangled branching vines and rivers of ancient, heaving blood,” notes a hit man in Barry N. Malzberg and Bill Pronzini’s “Meadowlands Spike.” It’s also a festival of urban blight, lovingly documented by S.A. Solomon in “Live for Today,” Lou Manfredo in “Soul Anatomy,” S.J. Rozan in “New Day Newark” and Hirsh Sawhney in “A Bag for Nicholas.” Rural Jersey can be pretty spooky, as a young orphan discovers in Bradford Morrow’s “The Enigma of Grover’s Mill.” And it has its own special drug culture, as a Cuban immigrant finds out in Robert Arellano’s “Kettle Run.” Gentrification is no defense against the state’s essential corruption, as an artist entranced by a trophy wife from the upscale part of Hoboken soon learns in Jonathan Santlofer’s “Lola.” And the shore is filled with bad memories and even worse people in Richard Burgin’s “Atlantis.” Even the fresh air of the Kittatinny Mountains in the state’s northwest corner is tainted by memories of his first family for Reno, who’s trying to make a new start with a young wife and her children in (editor) Oates’ “Run Kiss Daddy.” Only cyberspace offers any relief; in Jonathan Safran Foer’s lively “Too Near Real,” a disgraced professor tours the world on Google Maps. Anything to get out of New Jersey.
With barely a hint of redemption to light the darkness, this volume exacts an even higher toll than the turnpike.Pub Date: Nov. 1, 2011
ISBN: 978-1-61775-034-2
Page Count: 280
Publisher: Akashic
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 1, 2011
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by Joyce Carol Oates ; edited by Greg Johnson
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edited by Joyce Carol Oates
BOOK REVIEW
by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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New York Times Bestseller
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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by J.A. Jance
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by J.A. Jance
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by J.A. Jance
by Patricia Cornwell ‧ RELEASE DATE: Oct. 23, 2007
Proceed at your own risk.
Pioneering pathologist Kay Scarpetta (Trace, 2004, etc.) goes up against a wraithlike killer whose self-appointed mission is to “relieve others of their suffering.”
Practice, practice, practice. If only 16-year-old South Carolina tennis phenom Drew Martin had stuck to the court instead of going off to Rome to party, her tortured corpse wouldn’t be baffling the Italian authorities, headed inexplicably by medico legale Capt. Ottorino Poma, and the International Investigative Response team, which includes both Scarpetta and her lover, forensic psychologist Benton Wesley. But the young woman’s murder and the gruesome forensic riddles it poses are something of a sideshow to the main event: the obligatory maundering of the continuing cast. Wesley still won’t leave Boston for the woman he tepidly insists he loves. Scarpetta’s niece, computer whiz Lucy Farinelli, continues to be jealously protective of her aunt. Scarpetta’s investigator, Pete Marino, is so besotted by the trailer-trash pickup who’s pushing his buttons that he does some terrible things. And Scarpetta herself is threatened by every misfit in the known universe, from a disgruntled mortician to oracular TV shrink Marilyn Self. Cornwell’s trademark forensics have long since been matched by Karin Slaughter and CSI. What’s most distinctive about this venerable franchise is the kitchen-sink plotting; the soap-opera melodrama that prevents any given volume from coming to a satisfying end; and the emphasis on titanic battles between Scarpetta and a series of Antichrists.
Proceed at your own risk.Pub Date: Oct. 23, 2007
ISBN: 978-0-399-15393-8
Page Count: 416
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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