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BEATRICE WAS A TREE

Appealing arboreal fantasy.

As Beatrice stalls her bedtime, readers learn rudimentary facts about trees.

In the opening double-page spread, the titular girl, clad in overalls, hangs upside down from a tree branch. Purplish hair hangs beneath her pale, oversized face; her blue-gray irises point across the page’s gutter. Beatrice is surrounded by a nighttime scene: stars in the dark blue sky, a yellow crescent moon hanging over a lit-from-within house in the recto’s background. In white capital letters, a sound balloon from the house exhorts, “Beatrice, time for bed!” After the page turn, Beatrice is on the ground, her disgruntled facial expression and body language humorously familiar to all. She mutters that if she were a tree, she could “stay outside all night long.” In the next double-page spread, her expression changes to wonder as she imagines herself sprouting twigs and leaves. Soon, she is fantasizing about her life as a tree, first into the next day and then through the seasons. Her face cleverly fades into a tree’s overstory as the pages of colorful artwork—punctuated with short bursts of text and plenty of endearing animals—move toward the inevitable conclusion to her fantasy. After Beatrice’s second warning, her expression is again fun to behold, and a hint of subversion in the final, wordless page adds satisfaction. Additional pages contribute a few more botanical facts, but the story itself naturally segues into naptime or bedtime. Bonus: endpapers with labeled leaves. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at actual size.)

Appealing arboreal fantasy. (Picture book. 3-6)

Pub Date: May 11, 2021

ISBN: 978-0-06-274126-4

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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LITTLE DANDELION SEEDS THE WORLD

A cool concept a tad undermined by geographical overreach.

Dandelion seeds travel the world.

The story opens on an urban scene (possibly Cape Town) of a Black child whimsically blowing a dandelion, one fluffy seed floating “far, far away” to an undisclosed African plain. The book continues to describe the manner in which the seeds travel with the repeated refrain “swish, swirl, one hundred seeds fly.” The seeds are carried far and wide: one on the ear of a cheetah, another hitchhiking on a pant leg across the sea, a third in a bird’s droppings. The Howdeshells’ art is vibrant and engaging, taking care to include a diverse array of human racial presentations and details that establish each setting, the textured images focusing on indigenous fauna as the seeds fly. Of particular note is the lovely cover depicting a Black girl with natural hair. The seeds travel to Asia, Australia, North America, South America, and Europe. The entire globe is covered, including Antarctica, stretching a bit to match the conceit. An author’s note claims that “even chilly Antarctica has dandelions on the shoreline of South Georgia Island” as evidence for the plant’s reach to all seven continents. Whether South Georgia Island is part of Antarctica is arguable; it’s too bad the book makes this bland assertion. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 20.8% of actual size.)

A cool concept a tad undermined by geographical overreach. (Picture book. 3-6)

Pub Date: March 15, 2021

ISBN: 978-1-5341-1053-3

Page Count: 40

Publisher: Sleeping Bear Press

Review Posted Online: Dec. 24, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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SHARKBLOCK

From the Block Books series

Captivating—and not a bit terrifying.

Catering to young scientists, naturalists, and Shark Week fans–to-be, this visually arresting volume presents a good deal of information in easily digested bites.

Like others in the Block Books series, this book feels both compact and massive. When closed, it is 5.5 inches across, 6.5 inches tall, and nearly 2 inches thick, weighty and solid, with stiff cardboard pages that boast creative die cuts and numerous fold-out three- and four-panel tableaux. While it’s possible it’s not the only book with a dorsal fin, it certainly must be among the best. The multiracial cast of aquarium visitors includes a Sikh man with his kids and a man of color who uses a wheelchair; there they discover the dramatic degree of variations among sharks. The book begins with a trip to a shark exhibit, complete with a megalodon jaw. The text points out that there are over 400 known types of sharks alive today, then introduces 18 examples, including huge whale sharks, tiny pocket sharks, and stealthy, well-camouflaged wobbegongs. Reef sharks prowl the warm waters of the surface, while sand tiger sharks explore shipwrecks on the ocean floor. Bioluminescent catsharks reside at the bottom of an inky black flap that folds down, signifying the deepest ocean depths, where no sunlight penetrates. Great whites get star treatment with four consecutive two-page spreads; their teeth and appetite impress but don’t horrify. The book does a wonderful job of highlighting the interconnectedness of species and the importance of environmental stewardship.

Captivating—and not a bit terrifying. (Board book. 3-5)

Pub Date: May 4, 2021

ISBN: 978-1-4197-4119-7

Page Count: 84

Publisher: Abrams Appleseed

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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