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OCEANWORLDS

A compelling and affecting tale of humanity’s daring interplanetary steps.

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A sci-fi debut tells the story of the first manned mission to Saturn.

In the very near future, the virtuosic but fringe German scientist Derya Terzi—who has spent the last decade trying unsuccessfully to convince the scientific community that there is a white dwarf hidden behind the nearby star Arcturus, the inevitable collapse of which will destroy Earth—turns out to be right. This new existential threat causes a dying American senator to write a letter to the newspapers of the world calling for the private sector to do what he believes NASA no longer can—launch a daring campaign to make humans an interplanetary species: “What we need is a private mission, where failure is not a congressional investigation. A private mission of heroes willing to take immense risks for the greater good of humankind.” Who are those heroes? Terzi, for one, but also Jimmy Egger, an astronaut and Yosemite Valley BASE jumper haunted by apocalyptic visions; Sophia Park, an astrobiologist anxious to puncture the Great Silence and discover extraterrestrial life; Yi Meng, a robotics entrepreneur from Inner Mongolia; and Sergei Lazarev, a cosmonaut and the youngest ever commander of the International Space Station. For the crew of the spaceship Shackleton, the mission is so big it’s almost ridiculous: traveling to Saturn and its moons in search of alien life and potential homes for humanity—and unlike the moon landing, they can’t all expect to make it home alive. Landau’s measured prose is adept at evoking the considerable beauty of the physical world: “The shiny domes of the Paranal Observatory were silhouetted against a sea of clouds below extending past the horizon, burying the Pacific Ocean. The Sun had sunk almost half an hour ago; the sky was a starless palette of light grays to dark violets, a grand drape before the show.” In addition to telling a truly immersive story—and one so realistic that the stakes always feel sky high—the author continues the tradition of sci-fi meant to spur not just the imagination, but action toward a better future as well. He asks readers not simply to seriously consider the utility of space exploration, but to also remember how dangerous the journey will be—and how essential it is to the human condition.

A compelling and affecting tale of humanity’s daring interplanetary steps.

Pub Date: N/A

ISBN: 978-1-72896-465-2

Page Count: 406

Publisher: Time Tunnel Media

Review Posted Online: Jan. 9, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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