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ZHŪ

An engrossing, profound, and decidedly grim medical tale.

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A sick girl grows close to her habitual organ donor—a hybrid who’s part of a lab experiment— in this novel.

Multimillionaire Maxwell Sutherland plans to honor his wife’s dying wish to save their baby. Sadly, their daughter, Abby, has the same “cancer-like illness” that killed her mother. When Abby is 8 years old, she’s on a long list of patients who need transplants. One of her private doctors, Liu, suggests the Chimera Collaborative in China, where a team of scientists grows human organs in pig embryos. Using Abby’s DNA, the group creates the Chimera, which is essentially a pig-human hybrid named Zhū. Some people on the medical staff that tends Abby are evidently disturbed by Zhū’s human characteristics. Sutherland insists that the Chimera is only a “medical device,” its purpose to provide organs for Abby as the aggressive disease spreads through her body. But Abby develops a fondness for Zhū and sees him as a friend, not simply a thing. Zhū learns basic speech, beginning with Abby’s name, and also wins the hearts of a few on the staff, especially Liu and Vicki, a nurse. They soon try to stimulate Zhū mentally with toys, games, and books. As the years pass and Abby needs additional surgeries, Liu and Vicki are more reluctant to harvest Zhū’s organs. This puts both of them at variance with other medical personnel and an increasingly cold Sutherland while Abby is burdened by witnessing her friend’s seemingly endless suffering. Though Brienza’s (The Belt of Orion II, 2018, etc.) story is smart and often heartfelt, it’s also unquestionably bleak. The author doesn’t initially describe what Zhū looks like. But gradual particulars make him more human, such as his eyes following Vicki in his room or the swaying tree branches outside. This makes certain images, such as Zhū’s perpetual bruises (from restraints), all the more dreadful. Nevertheless, Brienza keeps the story free of violent sequences. For example, readers never see graphic depictions of the surgeries with either Abby or Zhū, and one individual’s savage act committed against the hybrid is only implied. Abby is, of course, sympathetic; because of the unrelenting illness, she undergoes a successful kidney transplant one day only to develop liver cancer shortly thereafter. But while Abby’s perspective leads to tender moments (for example, the girl sneaking into Zhū’s room), the book concentrates more on Sutherland and the medical staff. As Sutherland’s steady loss of compassion is apparent early on, the story may have benefitted from abridging his scenes in favor of more with Abby and Zhū. Regardless, the author’s message is discernible: The medical marvel of organ creation that involves living beings has its downsides. Various staff members represent the real-life conflict that lab-built organs spawn, as some want to help Zhū, others leave, and one doctor shares Sutherland’s heartlessness. Brienza skimps on occasional details, so passages of time aren’t immediately explicit. But medical procedures and the patients’ fluctuating conditions are the pronounced elements propelling the brisk and relatively brief narrative. 

An engrossing, profound, and decidedly grim medical tale.

Pub Date: June 14, 2019

ISBN: 978-1-5456-6426-1

Page Count: 158

Publisher: Mill City Press, Inc.

Review Posted Online: Sept. 21, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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