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GARDEN OF LOCUSTS

Dark, enthralling examination of a murderer and his victims, even those who survive.

In Ruby’s (Weeping Water, 2016) thriller, twin brothers’ lives are irrevocably changed when they cross paths with a serial killer.

When their parents separate in 1976, Ben and Owen Hood leave their Nashville home with their mom, Karen. The teenagers quickly adapt to and cherish Karen’s family farm in Alabama. But things take a frightening turn when they explore a cornfield, though Ben’s secret purpose is tracking a mysterious set of footprints. The brothers unfortunately encounter and flee from Eli Crisp, a serial killer who’s evaded authorities for years. Eli captures but doesn’t immediately kill them. After Ben and Owen attempt an escape, only one brother gets away, leaving Eli to abscond with his remaining captive. Meanwhile, Simon Singleton, a detective and British expat in Montana, is obsessed with identifying the serial killer. But he can’t even convince his superiors that one exists, as Eli’s M.O. involves seemingly random victims. When certain the killer is in Alabama, Simon asks for time off and heads south. Determined to put a face and a name to the serial murderer, he may have an ally in the Hood brother who got away, as both of them believe the other twin is still alive and under the thumb of a dangerous, prolific killer. Ruby’s lengthy novel covers years that ultimately reach the 1980s. It’s ample space for meticulous character development, including backstory about Eli’s troubled childhood and the brothers’ relationships with their often indifferent father. The story astutely addresses issues of racism, as, it seems, cops aren’t searching for Eli’s captive because the twins, like Simon, are black. Eli is terrifying, primarily due to his calculatedness; he wants to be famous and, on learning that Simon is pursuing him, taunts the detective with a signed letter promising another murder. Disappointingly, female characters merely help to drive the male-dominated storylines (as romantic interests, for example); tenacious, shrewd Karen is an exception. Overall, Ruby’s unadorned writing unflinchingly befits the story’s frequent bleakness while allowing for humor, such as a recurring joke involving people who think expat Simon’s lilt is Australian.

Dark, enthralling examination of a murderer and his victims, even those who survive.

Pub Date: Dec. 31, 2019

ISBN: 978-1-65377-366-4

Page Count: 475

Publisher: Self

Review Posted Online: Feb. 3, 2020

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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