A masterful storyteller whose dark view of the world isn’t entirely cheerless or without humor and who deserves to be better...

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THE GOLDEN COCKEREL & OTHER WRITINGS

Brilliant evocation of el otro México, “the other Mexico,” by the writer whose inspiration underlies Gabriel García Márquez’s One Hundred Years of Solitude.

Rulfo, who died in 1986, is best known for his odd novel Pedro Páramo, in which ghosts and living beings share the streets of a dusty town out in the middle of nowhere that may or may not belong on this plane of existence. Qualities of that bardolike place are evident in this similarly odd tale of Dionisio Pinzón, a youngish man who sets out to make his fortune in the unpleasant but widespread “sport” of cockfighting. With the long-suffering Bernarda, “a tough and attractive woman with a flashy rebozo worn across her chest,” he travels from town to town, off in the provinces away from the metropolis that, Rulfo suggests, Dionisio barely knows even exists. As he travels, Bernarda turns up at the oddest times; “her calling,” his godfather tells Dionisio, who wonders where he’s seen her before, “is to wander the earth, so it’s not hard to have seen her just about anywhere….” Though his golden cockerel falls in the ring in Jalisco, Bernarda brings him discipline and luck, eventually marrying him not out of love so much as loneliness. For his part, Dionisio, with his huge appetite for success, doesn’t always treat her as well as he should—but winds up, in an ending quite reminiscent of Pedro Páramo, not to be able to live without her. With the novella are collected several sketches and other writings, most of which speak to Rulfo’s preoccupations, chief among them death. “Death is immutable in space and time,” one reads. “It’s just death, without contradiction, not standing in contrast to absence or to presence.” Even so, the narrator warns, it’s bad form to make others weep when you go underground: “It’s a rebuke that endures and that weighs on those who have died.”

A masterful storyteller whose dark view of the world isn’t entirely cheerless or without humor and who deserves to be better known.

Pub Date: May 16, 2017

ISBN: 978-1-941920-58-9

Page Count: 136

Publisher: Deep Vellum

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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