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OPIATE NATION

A MEMOIR OF LOVE, LOSS, AND ACCEPTANCE

A vivid, emotional diary of the shattering effects of drug abuse and a child’s death on a family.

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Bereaved parents explore the drug addiction that led to their son’s death and plumb the many layers of grief in this debut memoir.

Johnathan Leif Trang was only 16 years old when his parents, Jude DiMeglio Trang and John M. Trang, made the stunning discovery that their bright, charming son was using black tar heroin, known on the street as BT. Ten years later, after many confrontations, discussions, and interventions, JL, as he was known to friends and family, was dead of an overdose only days after his release from his latest rehab program. Beginning with a foreword by his sister, Johanna Trang Schumacher, and interspersed with letters to JL written by both parents in the months after his death, the book attempts to understand his life and character and the nature of the addiction that led to his fatal overdose. Agonized by their loss and the frustration of their hopes for their beloved son’s future, the authors were determined that JL’s life not be defined by his drug problem or his lonely death. They found support in embracing their Christian faith and reading views on death by writers likes Elisabeth Kübler-Ross and Joan Didion as they navigated their own family dynamics, “complicated grief,” and efforts to remember, uncover, and honor JL’s deeper self. In the process, they exposed layers of pain, from the loss of their own posterity to a pervasive anger directed at everyone from drug cartel leaders to, as Jude writes, “myself for failing you so, at God for allowing it to happen, at you for being gone.” The raw immediacy of the narrative will sweep readers into a parent’s worst nightmare, in which sadness is compounded by disbelief that the crisis of drug abuse could step out of the headlines and into the heart of a middle-class family. Although parts of the memoir delve into the political aspects of addiction, including the “astronomical” cost of treatment and the history of the international drug trade, it is most memorable on a personal level, as in the stories of JL’s friends and fellow struggling users that end the work on a hopeful note.

A vivid, emotional diary of the shattering effects of drug abuse and a child’s death on a family.

Pub Date: N/A

ISBN: 978-0-648-58853-5

Page Count: 318

Publisher: Kurti Publishing

Review Posted Online: May 3, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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