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WRITING IS ESSENTIAL

USE THE SKILLS YOU'VE GOT TO GET THE JOB DONE

Everyone has a story and anyone can become an author according to this encouraging and worthy book.

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The founder of a nonprofit group for African American writers interviews diverse authors about their journeys to publication.

Slaughter (Clear Skinned, 2002) founded the United Black Writers Association after realizing that she “didn’t see many people of color presenting at writer’s conferences.” In this inspiring book—the organization’s first publication—she sits down with a half-dozen authors in a range of genres to talk about their backgrounds, processes, paths to getting published, and suggestions for novices. The core message: “just write!” Each interview is presented in a Q-and-A format, with Slaughter quizzing participants about the writing life. One woman wrote a picture book inspired by stories her father told her. Another turned to producing fiction after a layoff, and a third explains that his books were born from his experiences as a minister. Every author has a different history, but the overarching theme is the same—that some tales need to be told and that with persistence and concentration, writers can see their words come to life on the page. This urge to share stories is particularly acute for black authors, who are wrestling with a long legacy of being silenced. “This work has to be done. Our history is in the social landscape. We have to write about it,” says Angela Puryear-McDuffie, who collected tales from people in her Washington, D.C., neighborhood in order to craft a narrative history of the community. Several writers are self-published while others opted for a more traditional route. But all have sage counsel for beginners about the importance of discipline and the value of a good editor. They also share tips on marketing a work and balancing writing with a 9-to-5 career. While those seeking nuts-and-bolts advice might not find what they’re looking for here, Slaughter provides a beneficial service by showing how authors turned their ideas into books. Though focused specifically on African American writers, any reader dreaming about becoming an author will find support here.

Everyone has a story and anyone can become an author according to this encouraging and worthy book.

Pub Date: Sept. 30, 2019

ISBN: 978-1-73397-670-1

Page Count: 100

Publisher: United Black Writers Association

Review Posted Online: Aug. 5, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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