edited by Judith A. Kates & Gail Twersky Reimer ‧ RELEASE DATE: Nov. 1, 1994
A generally superb collection of both traditional and unorthodox readings of the Book of Ruth. The biblical story of Ruth—the young Moabite widow who followed her Israelite mother-in-law, Naomi, to the Land of Israel, married her husband's kinsman, and became mother of the messianic line through her descendant, King David—is an intriguing one, especially for women, who find few active female role models in the Bible. Kates, and Reimer, both teachers of Jewish texts with doctorates in literature, have assembled 30 essays, poems, stories, and dramatic narratives by contemporary female scholars, authors, psychiatrists, rabbis, and poets. All the contributors bring their professional and personal experiences to their interpretations of the Ruth story: Some are subjective accounts, such as the joint effort (``Feminine Plurals'') of psychiatrists Roberta Apfel and Lise Grondahl—an older Jewish supervisor and her young Christian supervisee—who use the relationship between Naomi and Ruth to understand and enrich their own; others, like Tamar Frankiel's kabbalistic approach to the messianic lineage in Ruth (``Ruth and the Messiah''), are more strictly scholarly. Often the two aspects are combined: Cynthia Ozick's ``Ruth'' is one part personal reminiscence, three parts textual analysis. These autobiographical and scholarly pieces are nearly always more interesting than the vanilla literary retellings of the story that add little to the conventional understanding of the text, although Gloria Goldreich's inclusion of Ruth's sister-in-law, Orpah, in her ``Ruth, Naomi, and Orpah: A Parable of Friendship'' adds a beautiful dimension to the relationship of Ruth and Naomi. Aviva Zornberg's shiur, or oral lesson, ``The Concealed Alternative,'' stands out as the most unusual; she draws on ancient commentaries as well as on Kafka, Nietzsche, and Buber to present a compelling understanding of the concept of redemption in Ruth. Despite occasional redundancies—only natural given the 400 pages of commentary on a brief text—this book is absorbing and provocative.
Pub Date: Nov. 1, 1994
ISBN: 0-345-38033-9
Page Count: 416
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
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BOOK REVIEW
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
BOOK REVIEW
by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
BOOK REVIEW
by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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