Texas history on a broad, complex scale.
A sweeping tale of 19th-century Texas.
In this historical novel, Mills (How Far Tomorrow, 2011) follows a large cast of characters from Georgia and Mississippi to Texas, where they find themselves caught in the revolution against Mexican rule and the short-lived Republic of Texas. Natchez, Mississippi, native Shelby Whitmire, who grows from a neglected youth to a veteran adventurer, is at the core of the narrative, surrounded by soldiers, settlers, innkeepers, and politicians as he travels from Mississippi to the Texas frontier. Navigating nearly fatal situations, he arrives in time for the battle of independence and eventually finds love and settles in his adopted homeland. In a demonstration of Mills’ solid grasp of time and place, fictional characters mix with historical figures, from famous notables like Santa Anna and Stephen Austin to little-known characters including Levi Weeks and Elizabeth Greenfield. Though the book excels in its depiction of heroism in history, it is less successful with subjects like slavery. While there is one prominent abolitionist character, most have few objections to the practice, including Shelby, who at one point equates his frustration over an unrequited crush to the expressions he observes at a slave auction: he “recognized, in the captive’s expression, his own mental state,” though eventually, the “men’s eyes met for a few moments, long enough for compassion and shame to stab at the individual with the freedom to walk away.” Native American characters enjoy a somewhat more nuanced portrayal, though many appear only to shoot arrows into Texan limbs. The writing, generally solid, does become awkward at times, particularly in the roughly two dozen places Mills identifies Shelby by his hometown instead of by name: “The man from Natchez gazed upon this landscape as if it were startlingly new, yet he sensed that the trees and rippling current looked much as they had in early autumn for the last two centuries.” Mills nevertheless keeps the plot moving, allowing the stories of ordinary Texans to outweigh the political rivalries and diplomatic rifts that fill the history books. She captures the effects of war on both soldiers and civilians, and the characters are plausible and engaging figures.
Texas history on a broad, complex scale.Pub Date: Sept. 27, 2015
ISBN: N/A
Page Count: -
Publisher: Plain View Press
Review Posted Online: July 29, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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