Sharp storytelling augments this novel of single-minded perseverance.
An old man recounts his youthful struggles in this winding novel set in New Bern, North Carolina.
Joshua Jordan may be old, and though his life wasn’t easy, he lived a full one. Born just after the Civil War, Joshua, who’s African-American, was born a free man—the first in his family. After his parents died of cholera, his uncle Levi took him in. Levi works for a surly plantation owner, Captain Bigly, and when 12-year-old Joshua rushes through a job on the plantation, resulting in an accident that leaves Captain Bigley’s daughter, Melinda Mae, in a coma. Joshua goes looking for the Swamp Woman, a local healer, who eventually heals the girl. Seeing the power of the Swamp Woman, Joshua wants to treat patients, too, but he soon finds that the road to becoming a doctor is much harder than he thought. His education is subpar, he doesn’t have money, benefactors abandon him, he faces extreme discrimination, and yet...Joshua still works toward his ultimate goal of practicing medicine. Old Joshua soon realizes that his life isn’t over—there is still another chapter (or even two!) to come. Dempsey (The Butterfly, 2017, etc.) is a keen and ferocious storyteller. Frequent flashbacks guide readers toward the satisfying scene of Joshua’s epiphany. The prose is lush and fulfilling: “I missed my own country, flat and sandy, but filled with pines, magnolias, cypress and live oaks hung with moss. I missed the fields covered with cotton plants, plump with the snow-white puffs of cotton waiting to be picked.” As Joshua recounts his past, it motivates him to encourage youngsters to realize their own purposes. Readers may feel similarly inspired. Though the included illustrations aren’t needed, they add texture.
Sharp storytelling augments this novel of single-minded perseverance.Pub Date: May 14, 2016
ISBN: 978-1-4907-7295-0
Page Count: 158
Publisher: Trafford
Review Posted Online: July 11, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Review Program: Kirkus Indie
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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