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A GOOD MAN

A morbidly obese novella.

Three high-school chums torment each other with a trip to Manhattan before coming clean about a long-festering secret.

Rhonda, Holly and Gina Kay were the three teen musketeers of the small Texas town of Lamberton. Rhonda, the brain of the group, went on to college and a successful legal career after being forcibly separated from her obsession, high-school boyfriend Terry Robertson. Holly had dreams of fashion fame but has settled for a bustling wedding-gown business in Waco. Gina Kay grew up dirt poor in a manufactured home with loving parents. (Her mother, grossly overweight and in need of constant care, was unable to leave her house.) With Holly and Rhonda’s support, Gina Kay won the Miss American Teenager beauty pageant title—and scholarship. In college, Rhonda started seeing Terry again surreptitiously, even after he tried to kill her by ramming his convertible into a tree. Although he’s heir to a ranching fortune, his dark past and forbidding father have nourished a mean and self-destructive streak. Rhonda and Gina Kay have been estranged since Gina Kay dropped out of college suddenly and eloped with Terry. Cut to the present, when the last of Terry’s many vehicular suicide attempts has succeeded, and the trio gathers at Gina Kay’s ranch after his funeral. There, a pageant event the pretext, the three, in their 40s now, decide to take a Manhattan reunion-and-reconciliation trip. The women befriend their New York City driver, Russian immigrant G.W., ultimately planning a wedding for his daughter in Brighton Beach. Suspense is of the flashback-fueled, wait-and-hurry-up variety, and narrative padding postpones Rhonda’s disappointing assignation with a would-be lover. Worse, Gina Kay refuses to explicate the Terry situation until trip’s end. Along the way, there are large chunks of Manhattan logistics and less-than-convincing apologias for good but dull husbands before getting to the genuinely intriguing questions: What really happened between Gina Kay and Terry, and can Rhonda ever get it out of her system?

A morbidly obese novella.

Pub Date: May 5, 2005

ISBN: 0-684-87388-5

Page Count: 328

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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