by Judith K. White ‧ RELEASE DATE: July 22, 2016
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In this concluding volume of a historical fiction trilogy set in the 1600s, a farm boy with a remarkable memory pursues a new life in Amsterdam while searching for a girl he encountered as a child.
When he was small, Dirck Becker spent a memorable afternoon with an orphaned Gypsy girl. Now in his late teens, Dirck is determined to leave the farm where he grew up and use his rare gift—the ability to remember meticulous details—to find his fortune in Amsterdam and hopefully locate this fascinating orphan girl too. The girl is Nelleke, adopted by a wealthy Amsterdam merchant family, who devotes her days to obsessively studying insects and recording her detailed observations in notebooks. Disappointed in the opportunities afforded to women in the Dutch Republic, Nelleke plans to journey across the ocean to New Amsterdam despite knowing her parents will disapprove. Meanwhile, Dirck worries that his talent for remembering everything from the rules of chess to the parts of a ship will lead others around him to distrust him. These two ambitious young people are destined to meet again—but when it finally happens, their reunion isn’t what Dirck imagined. This installment (following The New Worlds of Isabela Calderón, 2014) guides readers to an earlier era through the sweet smell of the pannekoeken hawked by street vendors on the Dam and the cries of the city’s night watchmen that cut through the dark; readers will likely feel as though they are roaming the streets alongside the characters. But, as in the first two volumes of the Amsterdam Trilogy, the weak link remains Nelleke. With her exotic beauty, unbridled intelligence, and ability to charm everyone she meets through her eccentric enthusiasm, Nelleke veers too far into Manic Pixie Dream Girl territory to be believable. Fortunately, in this volume White (Autumns of Our Joy, 2015, etc.) actually reveals flaws in Nelleke’s character, making her both more realistic and more tolerable. The book ties up loose ends for all of the characters in the trilogy, both major and minor, and should leave readers feeling fulfilled.
A satisfying trip back in time takes readers to the Dutch Republic in the 17th century.
Pub Date: July 22, 2016
ISBN: 978-1-4917-9853-9
Page Count: 414
Publisher: iUniverse
Review Posted Online: Dec. 1, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Review Program: Kirkus Indie
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by Amor Towles ‧ RELEASE DATE: July 25, 2011
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.
Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.
Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.Pub Date: July 25, 2011
ISBN: 978-0-670-02269-4
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
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by Amor Towles
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edited by Amor Towles ; series editor: Otto Penzler
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by Amor Towles
by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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