Elegantly crafted writing on contentious subject matter.

OLD NEW WORLDS

A TALE OF TWO IMMIGRANTS

In this cross-genre work, Krummeck (Beyond the Baobab, 2014) interweaves a memoir of her immigration to America with a creative imagining of her great-great-grandmother’s journey to South Africa as a missionary’s wife.

In January 1815, English newlyweds Sarah and George Barker traveled to Portsmouth to board a ship bound for the Cape of Good Hope. During their voyage to Africa, where they planned to do missionary work with the Khoikhoi people, an armed American merchant ship fired on their vessel. It was the first of many perils that the couple would face during their travels. The author says that she felt a sense of kinship with her great-great-grandmother Sarah after she herself emigrated from Cape Town to the United States, 182 years later. She tells of meeting her future husband, an American French-horn player, while working as a radio host in Johannesburg and goes on to recall how she later became immersed in the story of her missionary forebears. Drawing upon family archives, her study recounts two radically diverse personal journeys that link across the ages. Krummeck’s own story is written as a memoir, but Sarah’s reads like a historical novel, with factual material and imagined dialogue side by side. These forms elegantly dovetail when the author inserts her first-person perspective into Sarah’s narrative: “Sarah had conceived her fourth child around the time of their third wedding anniversary—I like to think on their wedding anniversary.” Krummeck also evocatively describes the landscape through her ancestor’s eyes: “The clean air was pure and rich, the redolent earth a tawny ochre.” The present and past meld well, creating a sense that the author has a foot in both worlds. Nevertheless, this will prove an uncomfortable read for those who view the Barkers’ missionary vision negatively. For example, George declares, “I work to try to give these people a life of dignity and purpose,” implying that the Khoikhoi people are incapable of either without guidance. Krummeck portrays George as being progressive for his time, as he stood against apartheid in its “fledging form.” Still, such issues are sure to divide reader opinion.

Elegantly crafted writing on contentious subject matter.

Pub Date: Oct. 25, 2019

ISBN: 978-1-950584-09-3

Page Count: 360

Publisher: Green Place Books

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 15, 2019

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more