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AMERICA 1900

THE TURNING POINT

A delightful look at the last century-turning year. This book represents a good idea. The question of whether a century begins with a year ending in zero or one means that we get to celebrate the beginning of a new hundred-year cycle twice, and the interim period between New Year’s Days takes on a special significance for calendar watchers. Crichton, award-winning executive producer of PBS’s The American Experience, tracks the year 1900 on a month-by-month basis, weaving together stories of individuals and events, high drama and mundane life. Some phenomena span the entire year, notably the presidential election and the early stages of the Philippine insurrection; in both cases our knowledge of future tragedy makes the description more poignant. In politics we see not only the major milestones—party conventions and election day—but also the strain of the campaign on Bryan and Roosevelt, the leisured approach of McKinley, and the back room power plays. Some phenomena provide dramatic moments in time, notably the multinational effort to rescue besieged Westerners in Peking during the Boxer rebellion and the coal miners’ strike in Pennsylvania. Events of varying levels of meaning—the Paris Exposition, the Harvard-Yale football game, the deal between Andrew Carnegie and J. Pierpont Morgan that created US Steel—along with the activities of varying individuals—Jack London, Paul Dunbar, and Theodore Roosevelt—are recounted in the context of the life of the age. Crichton keeps us focused on 1900 throughout, eschewing the temptation to continually draw lessons for the future, yet it is impossible to avoid thinking about whether that year’s trauma and triumph, corruption and character, would be preferable to our own. Somehow a president’s sexual dalliances seem comparatively superficial. Then again, we are not yet to the year 2000. An extremely enjoyable account. (100 b&w photos, not seen) (Author tour)

Pub Date: Nov. 1, 1998

ISBN: 0-8050-5365-4

Page Count: 288

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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