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COAST TO COAST WITH A CAT AND A GHOST

Beautifully written and real to the core.

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An engaging novel about overcoming loss and picking up the pieces.

When Judy’s husband, Jack, dies of cancer, she takes off in her RV in hopes of piecing together her shattered heart piece by piece and state by state as she travels across the country. She temporarily leaves her home and grooming business behind in sunny California and makes her way out to a friend in Florida. In addition to the radio, she’s joined by her new cat and a man-sized doll she made (whom she refers to as Jack Incarnate) for the 5,000 miles to Florida and back. In between new places and new faces, Judy thinks back to the relationship she had with Jack: when they first met at an AA meeting while drinking coffee, the time he was almost put behind bars for spousal abuse, etc. Though rough-around-the-edges Jack certainly had his fair share of baggage, he truly loved Judy, and she loved him back. Now that he’s gone, Judy has to make her way without him and count up all the good and bad that came with their relationship. In her debut novel, Howard conveys pitiless reality with beauty and eloquence. “I felt like a dried leaf clinging to a branch, hoping to hang on as the cold harsh wind blew cruelly against my brittle spine,” she writes. Despite the numerous brutal, intense battles between Judy and Jack, it’s nearly impossible not to relate to her on some level, as she’s so real and vulnerable. Most of all, she’s a survivor who manages to move on from the relationship that dictated much of her life. Though it could be easy to write off Jack as a villain, Howard portrays in him the many layers that each of us contend with—it’s what makes us all so complex. She doesn’t make excuses for his behavior, but there’s a sense of sadness in everything he himself suffered, which, to a certain degree, made him who he was. The frivolous title doesn’t capture the mature spirit of Judy’s mindset.

Beautifully written and real to the core.

Pub Date: July 18, 2011

ISBN: 978-1461153788

Page Count: 260

Publisher: CreateSpace

Review Posted Online: Sept. 27, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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GRIEF IS FOR PEOPLE

A marvelously tender memoir on suicide and loss.

An essayist and novelist turns her attention to the heartache of a friend’s suicide.

Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.

A marvelously tender memoir on suicide and loss.

Pub Date: Feb. 27, 2024

ISBN: 9780374609849

Page Count: 208

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Sept. 19, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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