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THE MOTHER-IN-LAW

A sharply written, suspenseful domestic thriller.

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A newlywed discovers her mother-in-law has a dangerous secret agenda.

Victoria Verducci wasn’t looking for love when she traveled to Las Vegas for a five-week training program. She lives in San Diego, where she works at a top investment firm. At the start of the program, she meets the handsome and attentive Brad Reynolds, an employee of the firm’s office in North Florida. A widower, he is raising his 5-year-old son, Andy, with the help of his mother, Madeline. After a whirlwind courtship, the couple elopes in Vegas. Victoria transfers to the Florida office, moves to Brad’s hometown of Jacksonville, and quickly bonds with Andy. Her relationship with Madeline is another matter. Madeline, ever rigid, expects the family to follow her rules: dinner at 6:30 every night and no TV. She continually finds fault with Victoria and her parenting style. Uncomfortable with the tension, Victoria wants to find a new home with Brad and Andy, but warnings from a neighbor and unsettling discoveries about Madeline’s and Brad’s past lead her to wonder how far Madeline is willing to go to maintain control over her son and grandson. Moore’s (Murder at the Country Club, 2018, etc.) latest is a fast-paced, compulsively readable mystery with strong characters and well-drawn settings. Victoria is a sympathetic lead, and Madeline is a cunning and elusive antagonist—a woman whose icy perfection and strict adherence to a complex set of rules mask subtle attempts to undermine Victoria’s marriage and relationship with her new stepson. While the novel is set in sunny Florida, the family drama at the heart of the story is worthy of a gothic novel, and the Reynolds family home is an important part of the setting. Victoria is expecting an open and airy beach house; instead, she finds a dark, formal home with ornate furnishings. This home plays a key role in many of the story’s most suspenseful scenes, and Moore’s keenly observed descriptions (“With these furnishings, if you weren’t looking out the window, you would never guess you were at the beach”) add to the fun.  

A sharply written, suspenseful domestic thriller.

Pub Date: Sept. 2, 2017

ISBN: 978-1-976080-60-9

Page Count: 368

Publisher: Time Tunnel Media

Review Posted Online: Jan. 8, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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