For its intended audience, this collection will be a welcome souvenir.
A gathering of memories marks Brown’s 250th anniversary.
In celebration of her alma mater, educator and editor Judy Sternlight (class of ’82) has collected essays by writers, poets and artists who attended Brown since the 1950s. Most are warm remembrances of the quirkiest of the Ivy League colleges, boasting a “loosey-goosey, roll-with-it curriculum”: no core requirements, a liberal pass/fail policy and encouragement of independent study. Admissions criteria focused more on creativity than test scores. “I wasn’t supposed to make it to a place like Brown,” writes Jonathan Mooney (’00), whose dyslexia resulted in mediocre high school grades. At Brown, he writes, “I wasn’t the dumb kid anymore. I learned that I never was.” Many contributors bring up common teenage concerns: friends, self-image, sex, etc. Although some students found kindred spirits and even love, others felt marginalized by differences of race or class. A few professors earn special praise: John Hawkes, for one, impressed novelist Meg Wolitzer (’81) by creating an “open, unguarded, and charitable environment” in his workshops. Joanna Scott (’85 AM) recounts a memorable dinner with visiting professor Susan Sontag, whom students nicknamed “the Duchess.” Political and social activism was prominent in some students’ experiences: Ira Magaziner (’69) recalls the student uprisings that instigated dramatic curricular change. Among the book’s other notable contributors are Susan Cheever (’65), Jeffrey Eugenides (’82), Edwidge Danticat (’93 MFA), children’s author Lois Lowry (’58), Marilynne Robinson (’66), A.J. Jacobs (’90), David Shields (’78) and Rick Moody (’83). To interest readers other than Brown alumnae, Sternlight might have provided some college history (when, for example, was Pembroke, the women’s college, merged with Brown? How have Brown’s demographics changed over the years?), and rather than relegate contributors’ bios to the end, she could have placed them as headnotes, where they would provide useful context.
For its intended audience, this collection will be a welcome souvenir.Pub Date: May 20, 2014
ISBN: 978-1-4767-6519-8
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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