As each of the primary characters tells his version of events, Troy’s subtle but emotionally wrenching prose raises deeply...
Within the framework of a murder mystery set in small-town Arizona, Troy (From the Black Hills, 1999, etc.) has written a tightly constructed psychological study about a family and community.
Fourteen-year-old Travis and his younger brother Damien find a woman’s body while walking their dog in Black Canyon City, Ariz., where their father, Lee, is a veterinarian. Lee’s best friend, Sam, is the local sheriff investigating the case, which soon points uncomfortably close to home. It turns out the dead woman is Jody, a waitress whom the boys met with Lee when he took them to visit their much older half brother Nate, the son Lee had in his troubled, alcoholic youth before he became the upstanding citizen, family man and father he is now. Raised by his single mother and now in his early 30s, Nate had a rough time growing up and has become an underachieving loner who manages a trailer park in Chino Valley, where he met Jody. Drawn to her physically—as is every man she meets—and sympathetic to her grief over giving up her daughter to the Indian parents of the baby’s father, Nate let Jody live in his trailer for six months. Although he was clearly in love with her and she was giving her sexual favors elsewhere, their relationship remained platonic until she moved back to her hometown of Winslow to be closer to her mother. Nate visited Jody at least once, but no one, including the reader, wants to believe he was the murderer; certainly not Travis, who is having his own coming-of-age experience of unrequited love, or Lee, feeling guilty that he failed Nate as a father. Trying to remain objective, Sam finds navigating through the evidence particularly difficult. And soon, he finds other men who had questionable relationships with Jody and who lack alibis for the murder.
As each of the primary characters tells his version of events, Troy’s subtle but emotionally wrenching prose raises deeply provocative questions about loyalty, morality, human frailty and the power of choice.Pub Date: Feb. 11, 2014
ISBN: 978-1-61902-239-3
Page Count: 272
Publisher: Counterpoint
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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