by Jules Machias ‧ RELEASE DATE: June 8, 2021
An optimistic journey of self-acceptance.
Debut author Machias’ novel explores genderfluidity and gender nonconformity as elements of navigating middle school.
Told in two alternating narrative voices, the story follows Ash and Daniel, a pair of Ohio seventh graders who are on a shared mission to rescue an old dog the world doesn’t seem to have room for, a not-so-subtle metaphor highlighting the vulnerabilities faced by all abandoned souls. Throughout their growing kinship, Ash and Daniel struggle with the divergent expectations of those around them: Ash with shifting gender presentations and Daniel with his emotionality and sensitivity. Entering a new school and feeling pressured to pick and disclose a single gender, Ash’s conflicts begin with trying to decide whether to use the boys’, girls’, or gender-neutral bathroom. The school’s diverse Rainbow Alliance is a source of support, but Ash’s parents remain split by more than divorce, with a supportive mom and a dad who tries but fails to understand genderfluidity. Daniel, who has a talent for photography, is a passionate animal lover who volunteers at a local kennel and initially believes Ash is a girl. Ash’s synesthesia amplifies the tension as Ash and Daniel discover a mutual romantic interest. The novel grapples with the impact of society’s overly simplistic messages, but the characterizations at times lack depth, and there are missed opportunities to explore the subtleties of relationships. Main characters are White.
An optimistic journey of self-acceptance. (Fiction. 10-13)Pub Date: June 8, 2021
ISBN: 978-0-06-305389-2
Page Count: 368
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
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by Jules Machias ; illustrated by Jules Machias
by Varsha Bajaj ‧ RELEASE DATE: Aug. 27, 2019
The novel’s dryness is mitigated in part by its exploration of immigrant identity, xenophobia, and hate crimes.
Seventh graders Karina Chopra and Chris Daniels live in Houston, Texas, and although they are next-door neighbors, they have different interests and their paths rarely cross.
In fact, Karina, whose family is Indian, doesn’t want to be friends with Chris, whose family is white, because the boys he hangs out with are mean to her. Things change when Karina’s immigrant paternal grandfather, Papa, moves in with Karina’s family. Papa begins tutoring Chris in math, and, as a result, Chris and Karina begin spending time with each other. Karina even comes to realize that Chris is not at all like the rest of his friends and that she should give him a second chance. One day, when Karina, Papa, and Chris are walking home from school, something terrible happens: They are assaulted by a stranger who calls Papa a Muslim terrorist, and he is badly injured. The children find themselves wanting to speak out for Papa and for other first-generation Americans like him. Narrated by Karina and Chris in alternate chapters, Bajaj’s novel gives readers varied and valuable perspectives of what it means to be first- and third-generation Indian Americans in an increasingly diverse nation. Unfortunately, however, Bajaj’s characters are quite bland, and the present-tense narrative voices of the preteen protagonists lack both distinction and authenticity.
The novel’s dryness is mitigated in part by its exploration of immigrant identity, xenophobia, and hate crimes. (Fiction. 10-13)Pub Date: Aug. 27, 2019
ISBN: 978-0-525-51724-5
Page Count: 192
Publisher: Nancy Paulsen Books
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
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by Varsha Bajaj ; illustrated by Simona Mulazzani
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: July 21, 2015
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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