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THE LAST ENCORE

A slow-building romantic novel that focuses on the vital bond between lovers.

In Butler’s debut novel, a pianist meets the love of her life but must let him go.

In California, aging actress Lily attends a performance of the talented pianist Katherine Konova, and reflects upon her connection to this red-haired beauty. Decades ago in Russia, Katherine’s poverty-stricken parents, Irina and Maxim, were deeply in love, and both had jobs at a factory where Yazov (nicknamed “The Bull”) was foreman. Irina and Max were convinced that they couldn’t have children, but when Irina falls ill on the job, it’s discovered that she’s pregnant. A few months after Max’s death in a freak accident, Irina marries Yazov, although she doesn’t love him. The child, Katherine, shows a talent for the piano; at 17, she’s accepted at the Moscow Conservatory where she meets Vitaly Prohorov, a married professor whose instruction wasn’t confined to music. After a romantic relationship, the two eventually separate, and Katherine marries and has children. In the present day, writer Daniel Adler has mystical visions of a girl with fiery red hair, and knows he must find her. He has a strained relationship with his mother, feeling much closer to his stepfather, Hans. Daniel attends Goethe University in Frankfurt and embarks on a disastrous relationship with a suicidal woman named Sophie, which doesn’t feed his soul. Impressed by Daniel’s blog, Lily writes Daniel and invites him to America, where he will meet and attempt to win the woman of his dreams. This novel tells a mellow, unassuming story of almost-instantaneous passion between a mature woman and a younger man. The story engagingly reveals layers of information, past and present, amidst a recurring melody of Beethoven’s “Moonlight Sonata.” It also provides a sense of life in Russia under the shadow of the KGB: At any moment, an innocent citizen could be snatched and accused of wrongdoing, an ordeal that Katherine at one point experiences. Her present-day affair in California plays out against a backdrop of family secrets, which generates suspense throughout. The narrative ends on a dissonant yet hopeful note, with potential for a sequel.

A slow-building romantic novel that focuses on the vital bond between lovers.

Pub Date: May 9, 2014

ISBN: 978-0-9911509-1-5

Page Count: 230

Publisher: CreateSpace

Review Posted Online: June 4, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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