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THE LAST ENCORE

Name: THE LAST ENCORE
Author: Julia Butler
ISBN: 978-0-9911509-1-5

by Julia Butler ‧ RELEASE DATE: May 9, 2014

A slow-building romantic novel that focuses on the vital bond between lovers.

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In Butler’s debut novel, a pianist meets the love of her life but must let him go.

In California, aging actress Lily attends a performance of the talented pianist Katherine Konova, and reflects upon her connection to this red-haired beauty. Decades ago in Russia, Katherine’s poverty-stricken parents, Irina and Maxim, were deeply in love, and both had jobs at a factory where Yazov (nicknamed “The Bull”) was foreman. Irina and Max were convinced that they couldn’t have children, but when Irina falls ill on the job, it’s discovered that she’s pregnant. A few months after Max’s death in a freak accident, Irina marries Yazov, although she doesn’t love him. The child, Katherine, shows a talent for the piano; at 17, she’s accepted at the Moscow Conservatory where she meets Vitaly Prohorov, a married professor whose instruction wasn’t confined to music. After a romantic relationship, the two eventually separate, and Katherine marries and has children. In the present day, writer Daniel Adler has mystical visions of a girl with fiery red hair, and knows he must find her. He has a strained relationship with his mother, feeling much closer to his stepfather, Hans. Daniel attends Goethe University in Frankfurt and embarks on a disastrous relationship with a suicidal woman named Sophie, which doesn’t feed his soul. Impressed by Daniel’s blog, Lily writes Daniel and invites him to America, where he will meet and attempt to win the woman of his dreams. This novel tells a mellow, unassuming story of almost-instantaneous passion between a mature woman and a younger man. The story engagingly reveals layers of information, past and present, amidst a recurring melody of Beethoven’s “Moonlight Sonata.” It also provides a sense of life in Russia under the shadow of the KGB: At any moment, an innocent citizen could be snatched and accused of wrongdoing, an ordeal that Katherine at one point experiences. Her present-day affair in California plays out against a backdrop of family secrets, which generates suspense throughout. The narrative ends on a dissonant yet hopeful note, with potential for a sequel.

A slow-building romantic novel that focuses on the vital bond between lovers.

Pub Date: May 9, 2014

ISBN: 978-0-9911509-1-5

Page Count: 230

Publisher: CreateSpace

Review Posted Online: June 4, 2014

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.