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CHARLIE COOK’S FAVORITE BOOK

This author/illustrator team’s latest is a circular tale about reading, about stories and about how, in life, they often intersect. Eleven books in one, this begins with Charlie Cook perched upon a chair reading his favorite book. It’s about a pirate forced to walk the plank, who swims to an island and finds a treasure chest containing a book. In it is the story of Goldilocks, who Baby Bear finds in bed reading his favorite book—a tale of dragons and knights. The knight postpones fighting the dragon to tell a joke . . . from his favorite book. And so it continues, until the final character’s book, coincidentally about a boy named Charlie Cook. Masterfully rhymed, the rhythm is consistent throughout the various genres. Scheffler’s artwork is perfect for the premise. The outline of each “book” and its pages border every spread. Colors and similar characters unify the illustrations, which, at the same time, are made to suit the individual subjects of the different “books.” The endpapers are especially apropos—a bookshelf displays the spines of all the tales found within. A clever way of looking at the universality of reading. (Picture book. 4-8)

Pub Date: June 1, 2006

ISBN: 0-8037-3142-6

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2006

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THE LOST STONE

From the The Kingdom of Wrenly series , Vol. 1

A gentle adventure that sets the stage for future quests.

A lonely prince gains a friend for a quest to find a missing jewel.

Prince Lucas of Wrenly has everything a boy could possibly want—except a friend. His father has forbidden him to play with the village children for reasons of propriety. Adventure-seeking Lucas acquires peasant clothes to masquerade as a commoner and make friends, but he is caught out. His mother, the queen, persuades the king to allow him one friend: Clara, the daughter of her personal dressmaker. When the queen’s prized emerald pendant goes missing, Lucas and Clara set off to find it. They follow the jewel as it changes hands, interviewing each temporary owner. Their adventure cleverly introduces the series’ world and peoples, taking the children to the fairy island of Primlox, the trolls’ home of Burth, the wizard island of Hobsgrove and finally Mermaid’s Cove. By befriending the mermaids, Lucas and Clara finally recover the jewel. In thanks, the king gives Clara a horse of her own so that she may ride with Lucas on their future adventures. The third-person narration is generally unobtrusive, allowing the characters to take center stage. The charming, medieval-flavored illustrations set the fairy-tale scene and take up enough page space that new and reluctant readers won’t be overwhelmed by text.

 A gentle adventure that sets the stage for future quests. (Fantasy. 5-8)

Pub Date: April 1, 2014

ISBN: 978-1-4424-9691-0

Page Count: 128

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Feb. 11, 2014

Kirkus Reviews Issue: March 1, 2014

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PINK AND SAY

A white youth from Ohio, Sheldon Russell Curtis (Say), and a black youth from Georgia, Pinkus Aylee (Pink), meet as young soldiers with the Union army. Pink finds Say wounded in the leg after a battle and brings him home with him. Pink's mother, Moe Moe Bay, cares for the boys while Say recuperates, feeding and comforting them and banishing the war for a time. Whereas Pink is eager to go back and fight against "the sickness" that is slavery, Say is afraid to return to his unit. But when he sees Moe Moe Bay die at the hands of marauders, he understands the need to return. Pink and Say are captured by Confederate soldiers and brought to the notorious Andersonville prison camp. Say is released months later, ill and undernourished, but Pink is never released, and Polacco reports that he was hanged that very first day because he was black. Polacco (Babushka Baba Yaga, 1993, etc; My Rotten Redheaded Older Brother, above) tells this story, which was passed down for generations in her family (Say was her great-great-grandfather), carefully and without melodrama so that it speaks for itself. The stunning illustrations — reminiscent of the German expressionist Egon Shiele in their use of color and form — are completely heartbreaking. A spectacular achievement. (Nonfiction/Picture book. 4- 8)

Pub Date: Sept. 15, 1994

ISBN: 0-399-22671-0

Page Count: 48

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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