In search of legendary “iggly plops,” Jumbeelia climbs down the “bimplestonk” and finds a lawn mower, a sheep and three children whom she pops into her collector’s bag and takes back to Groil, her giant’s world in the clouds. As the kidnapped “iggly plops,” Collette, Steven and baby Poppy, come to understand their predicament, from Jumbeelia’s harmless first welcoming kiss and delicious French fry, and the eventual signs of growing neglect, their old careless relationship changes and becomes caring. Collette’s deepening introspection and fear grows, as she recognizes in Jumbeelia and herself the symptom of a casual collector: boredom. The plot quickens when Zab, Jumbeelia’s brother, takes control. No longer animated dollhouse toys, in Zab’s grip, they are helpless play-action figures to be tortured, forcing the children to drastic action. An invented Giant language that may entice young readers to the back to decipher the English-sounding picturesque language—or may drive them away—makes coincidence and quick resolutions a little less irritating. This reverse Jack in the Beanstalk feels like—and will be—a children’s movie. (Fiction. 8-10)
Pub Date: Sept. 1, 2005
ISBN: 0-8050-7805-3
Page Count: 208
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
Pilkey is still having entirely too much fun with this popular series, which continues to careen along with nary a whiff of...
Trying to salvage failing grades, George and Harold use their handy 3-D Hypno Ring on termagant teacher Ms. Ribble—and succeed only in creating a supervillain with a medusa-like ’do and a yen to conquer the world with wedgie power.
Using a pair of robot sidekicks and plenty of spray starch, she even overcomes Captain Underpants. Is it curtains (or rather, wedgies) for all of us? Can the redoubtable fourth graders rescue the Waistband Warrior (a.k.a. Principal Krupp) and find a way to save the day? Well, duh. Not, of course, without an epic battle waged in low-budget Flip-O-Rama, plus no fewer than three homemade comics, including an “Origin of Captain Underpants” in which we learn that his home planet of Underpantyworld was destroyed by the . . . wait for it . . . “Starch Ship Enterprize.” As in the previous four episodes, neither the pace nor the funky humor (“Diapers and toilets and poop . . . oh my!”) lets up for a moment. Pilkey is still having entirely too much fun with this popular series, which continues to careen along with nary a whiff of staleness. (Fiction. 8-10)Pub Date: Sept. 1, 2001
ISBN: 0-439-04999-7
Page Count: 176
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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