This tale of celebrating inner beauty should appeal to Donaldson and Scheffler’s fans as well as to animal lovers.
Fan favorites Donaldson and Scheffler (Zog and the Flying Doctors, 2017, etc.) return with a rhyming introduction to the so-called ugliest animals on the African savanna.
The story begins with the “Big Five” (elephant, lion, buffalo, rhino, leopard) and friends lounging about being “glorious,” “cool,” “fine,” “divine,” “graceful,” and “great.” When a wildebeest enters the scene, the other animals don’t label her, but she proclaims herself “the ugly one” (though the description of her physical appearance doesn’t entirely match the illustration). The wildebeest doesn’t seem bothered to be ugly and soon meets the hyena, who she thinks is even uglier than she, and the hyena concurs. The wildebeest invites the hyena to “Join the club,” and a pattern emerges. As they walk through the savanna, they’re joined by a vulture, a warthog, and a marabou stork. Each time a new animal joins the bunch, they modify their silly song about how ugly they are. Readers are sure to enjoy singing along to this, though making the rest of the text rhyme is sometimes a stretch. At the end, their children proclaim them to be good parents and the loveliest of animals. Scheffler’s signature illustrations add humor to the story and bring the setting to life.
This tale of celebrating inner beauty should appeal to Donaldson and Scheffler’s fans as well as to animal lovers. (author’s note, picture glossary) (Picture book. 3-8)Pub Date: July 31, 2018
ISBN: 978-1-338-24953-8
Page Count: 32
Publisher: Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Necessary and empowering.
Olympic gold medalist Raisman, who in 2017 spoke out about the sexual abuse she’d endured, presents a primer on bodily autonomy.
“I am strong. I am beautiful. I am unique. I am enough.” So begin the affirmations that appear in this sensitively written book. Raisman underscores the importance of being kind to one’s body and listening to what it needs. She notes that others need to ask permission before touching our bodies; sometimes the answer will be yes, but other times, it will be no. Either is acceptable. Sometimes, someone will forget to ask or won’t respect the answer. When that happens, children can tell them to stop. If they feel unsafe, and it’s hard to say no, they can ask for help from people who make them feel safe. Our voices are just as “powerful,” “beautiful,” and “worthy” as our bodies. Emphasizing the strength inherent in every person—and making clear that we all deserve respect—Raisman has created a much-needed resource for starting a dialogue about consent. Backmatter offers tips for adults about discussing bodies and boundaries. Jackson’s expressive, pastorally soft illustrations depict people, diverse in terms of race, ability, and body type, practicing gymnastics, gardening, and playing basketball. A light-skinned girl wearing a shirt reading “Aly,” presumably a stand-in for the author, features prominently.
Necessary and empowering. (author’s note) (Picture book. 3-8)Pub Date: April 2, 2024
ISBN: 9781250798107
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
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