An engrossing, comprehensive overview of sustainable manufacturing and recycling and the challenges to expanding their...
An engineer explains how to make products less toxic and more sustainable.
In this debut science book, Goldstein takes readers into the realms of manufacturing and recycling to explore how things—particularly consumer goods—are made, how the process can be improved, and what happens when they move into the recycling system. Capsule portraits of entrepreneurs involved in different aspects of sustainable manufacturing (a project manager who maintains a database of construction materials and their ingredients, a distributor of compostable flatware and packaging) appear throughout. These are woven into a narrative that includes a concise history of plastics from Bakelite to the present; Nike’s shift toward corporate social responsibility; and a visit to a steel plant. The book does a particularly good job explaining the complicated world of recycling, where both economics and feasibility limit the materials that can be productively broken down and reused. That section concludes with examples of cutting-edge techniques that offer new recycling possibilities. Goldstein frequently refers to earlier works on the subject, showing how sustainable manufacturing has evolved over the past decade. And she makes a compelling case for its eventual mainstream viability, drawing connections between lean manufacturing strategies and a more efficient use of raw materials, for instance. The book is well-written, with enough detailed information to engage knowledgeable readers but without technical jargon or minutiae that might overwhelm a novice. The tone is casual and intimate (“It’s great to have flatware that composts, but not if it falls apart when we’re using it”), and the author often uses her own experiences as a source of examples and anecdotes. While the volume maintains an upbeat perspective, Goldstein acknowledges the challenges of bringing sustainability to the manufacturing process and offers a candid evaluation of the effectiveness of each technology discussed. Readers will be left with the sense that although sustainability is not an easy feature to add to the manufacturing process, it is indeed possible to do so with both ecological and financial benefits.
An engrossing, comprehensive overview of sustainable manufacturing and recycling and the challenges to expanding their adoption.Pub Date: April 22, 2019
ISBN: 978-0-9995956-1-9
Page Count: 240
Publisher: Bebo Press
Review Posted Online: April 2, 2019
Kirkus Reviews Issue: May 1, 2019
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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