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PLAYING DEAD

First-timer Heaberlin combines equal parts gruesome (a mummified child’s finger) and poignant (Tommie’s niece’s brain tumor)...

Every family has a deep dark secret. Maybe more than one.

When the letter arrives in Ponder, Texas, Tommie McCloud thinks it’s the work of a scam artist. After 42 readings of it, she’s not so sure. Could this Chicagoan claiming to be her mother, telling her that she was really the Adriana who had been kidnapped just after her first birthday, that her father was crime boss Anthony Marchetti, be telling the truth? Tommie can’t ask the man who raised her, a retired federal marshal who just passed away. The woman she’s always believed to be her mother has Alzheimer’s, and her brother Tuck perished in a car accident when he was 18. But her sister Sadie remembers overhearing a conversation between their parents that might lend credence to the letter. When Jack Smith, supposedly a reporter, pops up on the family’s doorstep to write about Tommie’s work healing traumatized kids with horseback-riding therapy, she’s suspicious. What reporter wears an ankle holster under his jeans? With assists from Hudson, a former boyfriend with lifetime access to FBI files (don’t ask), Tommie discovers ties to a girl’s unsolved murder, the slaughter years back of an FBI agent and his family, and Smith’s true agenda: confronting Marchetti, recently incarcerated in Texas. Still, Tommie’s confused about the contents of two bank vaults maintained by her mother. Deciphering their meaning will reveal more than one family secret, but not before Tommie is tailed, assaulted, shot at and finally saved by the intervention of Marchetti.

First-timer Heaberlin combines equal parts gruesome (a mummified child’s finger) and poignant (Tommie’s niece’s brain tumor) with perhaps a smidgen too many secrets for a single plot. 

Pub Date: May 29, 2012

ISBN: 978-0-345-52701-1

Page Count: 352

Publisher: Bantam

Review Posted Online: May 5, 2012

Kirkus Reviews Issue: May 15, 2012

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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  • Kirkus Reviews'
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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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