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LADY BIRD JOHNSON

HIDING IN PLAIN SIGHT

A superb portrait that elevates Lady Bird’s stature as one of the most accomplished first ladies of the 20th century.

A welcome revisionist study of Lady Bird Johnson’s roles and accomplishments within her husband’s administration. In the past 50 years, there have been several notable biographies of LBJ, yet only recently has first lady Claudia Alta "Lady Bird” Johnson (1912-2007) received meaningful attention for her influential role. Sweig, a nonresident senior research fellow at the LBJ School of Public Affairs at the University of Texas, casts a wider lens around Lady Bird’s public persona and personal life, especially the White House years. The author covers a lot of ground, from when the Johnsons were prematurely thrust into their roles following the assassination of JFK and individually struggled to gain their own distinction in the shadow of the star-powered Camelot era up through when LBJ left office after his first full term. Sweig deftly constructs a complex and admiring portrait of Lady Bird as a hardworking, intuitive, and highly intelligent political strategist who served as a vital bolstering force behind LBJ’s political ambitions. Despite his insecurities, mood swings, and health concerns, she actively sought to advance her own urgently felt causes. At the time, her environmental endeavors were superficially labeled as “beautification,” yet her aim was far more expansive. “Beneath the surface of the beautification efforts she promoted,” writes the author, “were deeper, structural dimensions to the urban crisis that connected to hous­ing, industrial pollution, race, and economic inequality.” Drawing extensively from Lady Bird’s White House diary—after transcription, 123 hours of content (a portion of the transcript became a bestseller when published by Johnson in 1970)—Sweig provides an engrossing, well-researched narrative that offers useful historical context about the prevailing issues of the day. The Johnsons’ unified efforts successfully advanced an impressive number of social reform policies, yet their accomplishments were increasingly overshadowed by the weight of the Vietnam War, which dramatically escalated during LBJ’s tenure. A superb portrait that elevates Lady Bird’s stature as one of the most accomplished first ladies of the 20th century.

Pub Date: March 16, 2021

ISBN: 978-0-8129-9590-9

Page Count: 560

Publisher: Random House

Review Posted Online: Jan. 5, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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