An intimate memoir about finding closure, coupled with copious true-crime flourishes.
A veteran chronicles her postwar life in which she became an undercover law enforcement agent, started a family, and confronted hard truths of domestic violence.
In this direct follow-up to Torres’ debut memoir, Still Standing (2014), readers rejoin the Latina veteran of the first Iraq War after she returned stateside, working as a narcotics agent. Gone is the death wish that drove her into the military after a prom night rape; it’s replaced here with courage as she faced exciting opportunities in her new career. She presents a firsthand view of what it’s like to do undercover work as a woman, stripped of the fictions of movies and television—a no-nonsense account of buys-and-busts, prostitution stings, and a deep cover, Donnie Brasco–esque operation at a social club. Beneath it all is Torres’ continued emotional struggle as a rape survivor as she attempted to open up and cultivate healthy relationships. While vacationing in Cuba, she fell for Narciso, a charming native who soon came to the United States, where they married and had a daughter. Yet this happiness was short-lived: Narciso swung mercurially between being violent and apologetic, turning her home into a place that was more unpredictable than the crime-ridden streets. Torres excels at depicting this tension, and offers a remarkable, candid portrayal of a physically capable, emotionally intuitive woman who finds herself in an atmosphere of abuse. It’s difficult to discuss this book without referencing its predecessor, however, as it ties up many of Still Standing's loose ends—most importantly, the fact that Torres finally confronted the man who raped her. That trauma is less present in this volume; instead, she refers to it only in passing, which renders the book less powerful. Otherwise, though, this is an impeccably edited story about the long- and short-term effects of rape and abuse, told from an unusual perspective.
An intimate memoir about finding closure, coupled with copious true-crime flourishes.Pub Date: N/A
ISBN: 978-1-938812-51-4
Page Count: -
Publisher: Full Court Press
Review Posted Online: May 22, 2015
Kirkus Reviews Issue: July 1, 2015
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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