You’ll be seduced by this fake-engagement romance set at the London docks.
An unexpected interlude turns antagonists into allies—and lovers—in Regency England.
In the third addition to the charming Palace of Rogues boardinghouse series, Lady Lillias Vaughn butts heads with American merchant and aspiring politician Hugh Cassidy. Hugh is in England to locate the runaway daughter of his mentor, and Lillias is temporarily lodged at the women-run rental property with her family while their grand home is under renovation. From their first encounter, the two headstrong protagonists are like duelists, with every scene a battle against each other and their attraction. But Lillias is also secretly grieving thwarted hopes, and Hugh is trying to reconcile his pull to her with his dream of a biddable helpmate who will aid his political ambitions in New York. As their fiery interactions start to compete with Lillias’ yearnings and Hugh’s plans, a moment of indiscretion forces the couple into facing their true desires. Then a third plot turn leaves their choices hanging in the balance. Though tonally nimble and similar to Mary Balogh’s novels in its layered meditation on loss, sacrifice, and mature desire, the story valorizes American classlessness and freedom against British hierarchy and constraints in a way that strikes an off note. Yet Long’s distinctive metaphor-rich style is a treat, a visual and textural tapestry that expresses the characters’ emotional lives through their senses. She suffuses the prose with images of fire and musical reverberations, distilling into them the erotic affection, sensual banter, and crackling chemistry that arcs between the combatant lovers.
You’ll be seduced by this fake-engagement romance set at the London docks.Pub Date: May 11, 2021
ISBN: 978-0-06-304508-8
Page Count: 400
Publisher: Avon/HarperCollins
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
