IF LOOKS COULD KILL

In an alternate Victorian era, unlikely allies confront monsters and murders.

It’s 1888, and misogynist Jack is on the prowl in Whitechapel, London, butchering women and consuming their organs, which he hopes will “restore him to health and life.” After one murder, he’s approached by a Gorgon, a snake-haired monster from Greek mythology with a gaze that turns people to stone. But Jack isn’t affected by her petrifying powers; he runs away and continues his murder spree. Fleeing the police, Jack boards a ship heading across the Atlantic. In New York City, Pearl Davenport and Tabitha Woodward are members of the Salvation Army, spreading God’s word. They’re roommates who have a contentious relationship—rigidly pious Pearl clashes with more easygoing Tabitha. Wanting to help Cora, a distressed girl they briefly cross paths with, Pearl and Tabitha ask investigative reporter Freyda to help locate her. Pearl falls ill while Tabitha scours the city, seeking answers and receiving assistance from surprising sources, including handsome bartender Mike and Miss Stella, a secretive older woman. All the while, an evil lurking in the city is growing closer. Berry’s exploration of Jack the Ripper’s motivations is intriguing. But the evolving relationships among the largely white-presenting characters—particularly the one between Pearl and Tabitha as they confront horrors that are softened by the compassion they encounter—offer the real appeal, accentuating the best and worst of human nature.

A powerful exploration of human connection during nightmarish times.