by Julie Berry ‧ RELEASE DATE: Sept. 23, 2014
Droll farce yields to intriguing mystery, leaving the seams between them showing
When an overbearing headmistress and her odious brother drop dead, seven Victorian schoolgirls decide to run their school without adult interference.
It’s an ordinary Sunday dinner at Saint Ethelreda’s School for Young Ladies until Mrs. Plackett and Mr. Aldous Godding choke on their veal and fall over, dead as a pair of unpleasant doornails. All of the seven students at Saint Ethelreda’s, from Dull Martha to Dour Elinor, are horrified at the notion of their inevitable separation. Once they tell the authorities about Mrs. Plackett’s death, surely they will all be sent back home to their dreadful families and shunted off to far worse schools. All seems lost until Smooth Kitty asks the others, what if they just don’t tell the authorities about their headmistress’s untimely demise? What follows is classic farce, as the young ladies spend the rest of that evening desperately hiding the corpses and their headmistress’s absence from an unprecedented stream of callers. Stout Alice is disguised as Mrs. Plackett, Disgraceful Mary Jane initiates the garden gravedigging, and Pocked Louise helpfully adopts a puppy. A third of the way through the novel, the breakneck shenanigans abruptly settle, becoming merely the backdrop of a fairly classic drawing-room mystery. The young ladies are charming and their problem-solving ingenious, though the epithets used to describe them—it is never “Roberta,” always “Dear Roberta”—get old very quickly.
Droll farce yields to intriguing mystery, leaving the seams between them showing . (Farce/mystery. 11-13)Pub Date: Sept. 23, 2014
ISBN: 978-1-59643-956-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 29, 2014
Kirkus Reviews Issue: July 15, 2014
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by Jonathan Stroud ‧ RELEASE DATE: Sept. 17, 2013
A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls.
Three young ghost trappers take on deadly wraiths and solve an old murder case in the bargain to kick off Stroud’s new post-Bartimaeus series.
Narrator Lucy Carlyle hopes to put her unusual sensitivity to supernatural sounds to good use by joining Lockwood & Co.—one of several firms that have risen to cope with the serious ghost Problem that has afflicted England in recent years. As its third member, she teams with glib, ambitious Anthony Lockwood and slovenly-but-capable scholar George Cubbins to entrap malign spirits for hire. The work is fraught with peril, not only because a ghost’s merest touch is generally fatal, but also, as it turns out, as none of the three is particularly good at careful planning and preparation. All are, however, resourceful and quick on their feet, which stands them in good stead when they inadvertently set fire to a house while discovering a murder victim’s desiccated corpse. It comes in handy again when they later rashly agree to clear Combe Carey Hall, renowned for centuries of sudden deaths and regarded as one of England’s most haunted manors. Despite being well-stocked with scream-worthy ghastlies, this lively opener makes a light alternative for readers who find the likes of Joseph Delaney’s Last Apprentice series too grim and creepy for comfort.
A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls. (Ghost adventure. 11-13)Pub Date: Sept. 17, 2013
ISBN: 978-1-4231-6491-3
Page Count: 384
Publisher: Disney-Hyperion
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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BOOK TO SCREEN
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by Katherine Rundell ; illustrated by Charles Santoso ‧ RELEASE DATE: Aug. 27, 2019
Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure
A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.
Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.
Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)Pub Date: Aug. 27, 2019
ISBN: 978-1-4814-1948-2
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
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