A vivid dramatization of the plight of orphans, both poignant and historically sound.
An epic tale of the interlocking paths of orphans struggling to survive in 19th-century New York.
Tabitha Colleen Salt was born in 1850 on a farm in Westchester, New York, to loving parents. When her father died, her mother moved the two of them to New York City. They lived in the notorious Five Points District, known for its clamor, debauchery, and merciless gangs. Tabitha and her mother, Maura Anne Salt, manage to make ends meet, but Maura dies suddenly from dental surgery, and Tabitha is left to fend for herself. Not quite 11, she briefly lives under a stoop and makes fast friends with Scotty, already a hardened street kid. She moves to the Elizabeth Home for Girls and is sent westward by train as a part of a program to find suitable homes for orphans removed from the dangers and temptations of city life. Sister Agnes shows Tabitha great kindness, encourages her to forget her past, and rechristens her Mary. Mary cares for young orphan Edmund while on the train, and the two grow close like siblings. Mary and Edmund are adopted by families that live close to each other, and Mary quickly discovers that Scotty was adopted by a family nearby as well. Mary and Scotty eventually fall in love, while Edmund’s affections are captured by Gert; she, too, is an orphan who, emulating her mother, turns to prostitution to survive. Author Dewey is an experienced novelist (The Other Side of the Fence, 2015, etc.), and her skill shines through her artful braiding of several complex narratives. While Mary is the protagonist, much of the plot unfurls from the perspectives of the other orphans. Dewey affectingly depicts the stranglehold the orphans’ pasts exert over their present lives and the tenacity with which they embrace love and loyalty. Sometimes, the story takes a grim turn, but tragedy is never gratuitously introduced to this implausibly heartwarming novel.
A vivid dramatization of the plight of orphans, both poignant and historically sound.Pub Date: Dec. 17, 2015
ISBN: 978-0-578-17231-6
Page Count: 280
Publisher: Holland Press
Review Posted Online: March 7, 2016
Kirkus Reviews Issue: May 1, 2016
Review Program: Kirkus Indie
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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