Whether she’s fretting about her weight or worrying if she is correctly quoting Kahlil Gibran, this ’60s survivor is a hoot.
In this charming coming-of-middle-age novel from Mars (The Secret Keepers, 2000, etc.), a neurotic New Yorker loses her job and possibly her marriage when she buys a rundown country house.
Ellen Kenny still thinks of herself as a free spirit. But the young woman who skinny dipped on Cape Cod has turned into a nervous 40-something who was fired after speaking her mind. In her quest for “ipsissimus,” the quality of being most herself, she acts on a whim, buying a ramshackle old house in upstate New York on the way to visit her more centered younger sister in Montreal. The house, which she views as a source of adventure, soon flips her life into crisis. Her straight-laced husband Tommy refuses to deal with it, and Ellen takes off alone, afraid that she has pushed him too far. In rural Eagle Beak, she finds bugs, dirt and eccentric locals, including the angry sculptor son of the house’s late owner and an ex-biker neighbor, whose happiness seems permanently threatened by an unusual ailment. They in turn see her as an object of amusement. Gradually she learns to fit in and rediscovers her original, spontaneous self. When a crisis overcomes her sister, however, her newfound balance is tested. As she cares for her sister’s toddler, as well as her quirky new family of choice, Ellen discovers a life that works for her. Mars leavens Ellen’s potentially annoying idiosyncrasies with sly humor, and she revels in her heroine’s ’60s-cum-New Age mentality. “[S]he had raised the anchor and sailed away from her former self. She had left her baggage on the cosmic dock,” Mars writes without irony.
Whether she’s fretting about her weight or worrying if she is correctly quoting Kahlil Gibran, this ’60s survivor is a hoot.Pub Date: July 1, 2008
ISBN: 978-0-312-37869-1
Page Count: 352
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2008
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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