Next book

PUDDIN'

Buoying.

Vandalism throws a teen of unflagging cheer into regular contact with her polar opposite in this novel told in alternating first-person chapters.

Millie’s decided to end her nine-year stint at weight-loss summer camp: She’s fine being fat, which weight-loss camp hasn’t changed anyway. Instead, she’s applying—behind her parents’ backs—to a broadcast journalism program. Meanwhile, she’s bouncily organizing sleepovers with her friends and flirting with Malik, an attractive South Asian boy at school. But when Millie’s aunt and uncle’s gym is vandalized by the dance team after being forced by poor profits to withdraw its sponsorship, the only team member to get caught—and required to work alongside Millie at the gym—is Callie Reyes, whose prickly affect stands in contrast to Millie’s sunny optimism. Callie is grappling with being biracial while living with her racially unaware white mother, stepfather, and half sister. Speaking little Spanish, she sometimes feels out of place with other Mexican-Americans yet frequently experiences casual racism from strangers and her exploitative boyfriend. And the supposed everlasting sisterhood of her fellow dance team members falls at the first hurdle. Millie’s oblivious arrogance toward a friend who comes out as asexual and toward Callie over racial identity is handled far too perfunctorily, but Murphy’s plot brims with unlikely friendships, irresistible romance, fabulous fat acceptance, and a kick-ass ending.

Buoying. (Fiction. 13-16)

Pub Date: May 8, 2018

ISBN: 978-0-06-241838-8

Page Count: 448

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

Next book

THE THING WITH FEATHERS

Smoothly written and packed with (perhaps too many) challenging issues, Hoyle’s debut may feel a bit glib and predictable to...

A teenager with epilepsy who has recently lost her father to cancer overcomes the depression induced by grief and illness as she acclimates to attending public school for the first time in several years and finds a boyfriend.

Home-schooled and reluctant to engage with strangers, Emilie spends her spare time reading, cuddling with her therapy dog, Hitch, and playing board games with Cindy, her 8-year-old neighbor. Forced to begin classes at the local high school, Emilie is determined to remain aloof. A smart, creative girl named Ayla and a hot (and very nice) boy named Chatham befriend her, making it hard to stay distant and self-contained. Conflicts with her mother, who is just beginning to date, and concern about the potential embarrassment of having a seizure at school further complicate Emilie’s life. Miserable and self-absorbed, Emilie is exceedingly articulate. Indeed, her first-person narration sometimes sounds older than her years, particularly when describing her crush. Extended metaphors abound, most involving water. That’s logical given the Outer Banks setting and Emilie’s fears, but they slow the flow of the plot and contribute to the not entirely believable tone. Emilie seems to be white, and so does her world, aside from the occasional student of color.

Smoothly written and packed with (perhaps too many) challenging issues, Hoyle’s debut may feel a bit glib and predictable to some readers; others will swoon over the dreamy Chatham and root for Emilie to come out of her shell. (Romance. 14-16)

Pub Date: Sept. 5, 2017

ISBN: 978-0-310-75851-8

Page Count: 304

Publisher: Blink

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

Next book

THERE'S SOMEONE INSIDE YOUR HOUSE

Bloody? Yes. Scary? No.

Someone is murdering high school students. Most freeze in fear, but a brave few try to stop the killings.

Senior Makani Young has been living in corn-obsessed Nebraska for just a little over a year. She has developed a crush and made some friends, but a dark secret keeps her from truly opening up to those around her. As the only half–African-American and half–Native Hawaiian student in her school, she already stands out, but as the killing spree continues, the press descends, and rumors fly, Makani is increasingly nervous that her past will be exposed. However, the charming and incredibly shy Ollie, a white boy with hot-pink hair, a lip ring, and wanderlust, provides an excellent distraction from the horror and fear. Graphic violence and bloody mayhem saturate this high-speed slasher story. And while Makani’s secret and the killer’s hidden identity might keep the pages turning, this is less a psychological thriller and more a study in gore. The intimacy and precision of the killer’s machinations hint at some grand psychological reveal, but lacking even basic jump-scares, this tale is high in yuck and low in fright. The tendency of the characters toward preachy inner monologues feels false.

Bloody? Yes. Scary? No. (Horror. 14-16)

Pub Date: Sept. 26, 2017

ISBN: 978-0-525-42601-1

Page Count: 352

Publisher: Dutton

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

Close Quickview