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BRILLIANT DIVORCES

From the author of Till the End of Time (1990), The President's Women (1988) and other pat-a-cake pastimes, another bubble-bath soaker (Singer's seventh) featuring mate acquisitions and doffings, a glittery off-lot Hollywood atmosphere, and a sexathon spaced throughout like drum bongs in a polka. At the start, gorgeous actress Honey Rose is reunited with old school pals Babe and Sam(antha) in the grand California house of Sam's (unjustly) hated stepmother Nora. After some snappy divorce chat and the discovery that Babe's senator husband is a wife-beater, the story takes giant steps backward to 1943—and the tale of Nora's four marriages. A good sort, English Nora, daughter of a barmaid, never really married handsome Hubert Hartiscor, who was gay, but she loved him and was accepted nonetheless by Hubert's dad, Lord Jeffrey, as legit. Her son, small Hubie, is a desired heir, although he was sired during a one-night stand by a G.I. from Montana. Then Hubert commits suicide (the family is the most dreadful mess), and Nora marries Lord J., later actor Nick, Ambassador Martin, and finally movie mogul T.S. Grant, most reluctant father (maybe) of Sam, who adores him. It's back to Honey, then, whose father, Teddy, is an alcoholic Great Writer, and to Babe, whose parents...well, never mind: it all works out. A strangle of plot—awesome is the wipe-out of a noble English family: pedophilic assaults, incest, murder, suicide—and grandly silly, of course, but count on circulation.

Pub Date: Oct. 20, 1993

ISBN: 0-688-12001-6

Page Count: 480

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1993

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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