An enjoyable romp brought to life by its lovable, off-kilter protagonist.
An enterprising 18-year-old oddball seeks to break into the 1980s tattoo scene.
After graduating from high school, Gina Mulley can easily identify the jobs she doesn’t want: bartender; typist; any position that removes her from Blue Claw, the Long Island town where she grew up. She’s reluctant to part from her older brother, Dominic; amid a childhood punctuated by her mother’s breakdowns and her own inability to connect with peers, he’s the only source of stability she’s ever known. Gina spends her time at Dominic’s tattoo shop doing odd jobs, doodling strange, alien fish, and avoiding job applications—till she realizes a tattooist's career perfectly suits what Dominic dubs her innate “artistic flair.” After much persuasion, Gina convinces her brother to take her on as an apprentice, with the knowledge that making it as a tattooist in an almost exclusively male-dominated industry will be nearly impossible. As Gina tattoos sackfuls of oranges and sketches bizarre tattoo “flash”—crosses made of vegetables; hybrid animals—she meets the enigmatic and spellbinding Anna, the apparent protégé of a local clairvoyant; the two develop a long-distance correspondence that eventually becomes a close-knit friendship, and perhaps something more. As Gina fights tooth and nail to be taken seriously as an artist, she must navigate an increasingly fraught relationship with her brother, who resists seeing her as an independent adult—all while helping the struggling tattoo shop survive. From the start, the novel is immersive and wholly alive. Gervais painstakingly renders the fine-grained particularities of the 1980s body-art scene and locates its deeper emotional core: Tattoos are not just ink, but “something invisible made visible. A truth [that] you were finally willing to have out in the open, to be seen.” Gina is a touchingly complex, flawed character; her journey from childhood misfit to adult is gratifying to behold. Though some of the narrative threads feel underbaked—Gina’s relationship to her mother isn’t believably resolved; Dominic’s relationship struggles lie somewhat apart from the story’s center—Gervais’ characters are original and a pleasure to read; their narrative energy will easily carry readers through to the final page.
An enjoyable romp brought to life by its lovable, off-kilter protagonist.Pub Date: June 21, 2022
ISBN: 978-0-59-329879-4
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: April 11, 2022
Kirkus Reviews Issue: May 1, 2022
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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