Despite a disturbing and all-too-plausible concept duly supported by an appendix listing real-life executive orders ripe for...
The creator of Denmark’s Department Q, that unforgettable squad of misfit detectives (The Scarred Woman, 2017, etc.), jumps the pond in this ambitious, paranoid fantasy of how quickly things can go wrong in the hands of an American president who’s determined to take a strong stand against threats of violence.
Sixteen years after Virginia governor Bruce Jansen’s first wife, Caroll, was stabbed to death during a very public moment on a visit to China, his successful run for the presidency comes to the worst possible climax when his second wife, Mimi Todd Jansen, is gunned down, perhaps in his stead, on election night. Deeply shaken by the first death, Jansen is so traumatized by the second that observers wonder whether he’ll take the oath of office or resign in favor of Vice President-elect Michael K. Lerner. As it turns out, Jansen not only assumes, but transforms the office, using agencies and executive orders already in place to step up surveillance on his fellow citizens, unplug the internet, defang or shutter critical journalistic outlets, and ban first ammunition, then guns from private ownership. Members of paramilitary militias like Moonie Quale predictably go ballistic, but members of Jansen’s cabinet, many of them touched by personal violence against their loved ones, overwhelmingly support him. So far the scenario recalls that of It Can’t Happen Here, Sinclair Lewis’ classic 1935 novel of homegrown American fascism. Adler-Olsen’s complication is his decision to focus not on a single American oppressed and powerfully radicalized by the new regime but by an oddly assorted group—journalist John Bugatti, presidential press secretary Wesley Barefoot, Sheriff T. Perkins, and staff attorney Dorothy "Doggie" Rogers, whose father is convicted of arranging Mimi Todd Jansen’s murder—who were all present on that fateful day in Beijing.
Despite a disturbing and all-too-plausible concept duly supported by an appendix listing real-life executive orders ripe for tyrannical misuse, this nightmare gradually turns into a standard-issue lots-of-good-guys-versus-even-more-bad-guys scenario populated by characters you’ll hardly miss when they’re killed, as so many of them are.Pub Date: Aug. 7, 2018
ISBN: 978-1-5247-4252-2
Page Count: 592
Publisher: Dutton
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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