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THE GREAT PIVOT

CREATING MEANINGFUL WORK TO BUILD A SUSTAINABLE FUTURE

An optimistic and detailed blueprint for a sustainable 21st-century world.

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A comprehensive vision of a more sustainable working world.

Corporate-sustainability consultant Burt’s well-designed, smoothly readable nonfiction debut centers on what she asserts are systematic, fundamental changes that human societies must make in the near future in order to survive. The author looks at traditional ways of generating energy, transporting people and materials, growing and distributing food, and relating to nature, and she determines, as many others have, that present patterns aren’t sustainable, even as they appear to be “locked on autopilot.” Burt’s book lays out meticulously comprehensive proposals for changing them, aimed primarily at two kinds of readers: policymakers in a position to “facilitate meaningful job creation” and everyday people who are willing to do the meaningful work of instituting planned changes and keeping them going. “Do we want future generations to look back at our time as the Great Unraveling,” she asks, “or should we instead choose a more sustainable path so that our grandchildren see this era as the Great Turning?” The related “Great Pivot,” as the author lays it out, puts this philosophy into practice. If the pressing, urgent goal is to reduce carbon emissions and waste in all sectors of daily life, the creation of large numbers of new jobs in many areas will be necessary; Burt enthusiastically elaborates on these areas, including building and enhancing bicycle-related infrastructure, designing walkable communities, deconstructing energy-inefficient buildings for salvage, massively increasing recycling, restoring healthy forests, and creating more small, organic farms. The author’s narrative is buoyantly can-do and forward-thinking, with a refreshing real-world pragmatism that shows how previous, small-scale sustainability projects have been put into practice. Much of what the author proposes will be done against the backdrop of what she calls the “new American Dream,” which will no longer be characterized by relentlessly increasing consumption (“stability, not upward mobility”); those who’ve been left behind by the traditional American dream, she asserts, would find newly created, more meaningful jobs in the transition from a “take-make-waste linear economy to a circular economy.” Overall, this book will likely inspire a great many readers hoping for a better future.

An optimistic and detailed blueprint for a sustainable 21st-century world.

Pub Date: March 9, 2019

ISBN: 978-1-935994-34-3

Page Count: 292

Publisher: Bivens & Jensen Publishing

Review Posted Online: Oct. 30, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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