An imaginative, engrossing work of speculative fiction, like an Edward Snowden rewrite of The Hunger Games.
Kids battle totalitarian sadists in this searing sci-fi novel.
In the year 2159, roughly a century after World War III, young teenager Zay Scot and his little sister, Lina, are living an idyllic life of chores and gin rummy on Block Island. Then stormtroopers invade, burn the place, apparently kill their parents, Tavish and Ava, and haul the kids off to the mainland capital of the United North American Alliance. Like any dystopia, UNAA is a mixed bag. There are floating cars, helpful hover-bots that deliver personalized meals, awesome virtual-reality combat games at the skyscraper game center, and implanted scanners by which the government tracks everything citizens do, buy and email—for the citizens’ safety and convenience, of course. But there’s a downside: Dickensian foster homes; strict curfews; constant spying by yet more robots and cameras; the ever-present threat of electroshock-lashings from black-uniformed goons and their psychotic supervisors; and the experimental drugs they secretly sprinkle into those ready-to-eat robo-meals. Zay’s refusal to log in to the all-seeing computer system plunges him into hot water, and with the help of a dissident underground, he and Lina set out to find the truth about their parents and a giant gulag known as Cherry Hill. Butler’s yarn unfolds in punchy but evocative prose that’s full of well-realized characters. Although the political economy of this imperfect future doesn’t make a wholly reasonable amount of sense, the portrayal of its mechanisms of control is chillingly effective. Characters languish in an oppressive sense of helplessness under a state so domineering that citizens can’t share a bite of food without the government’s permission; in the background is an unspoken but ubiquitous brutality that emerges with gruesome realism in the electroshock scenes, which are both convincing and hard to read with their mixture of workaday jocularity and devilish cruelty. Steeped in teen martyrdom and paranoia about the total surveillance society, the narrative depends too much on plot contrivances, and the violence, profanity and sexual menace are a bit heavy for YA fare. The story wraps up rather patly, but the fictive world is sure to pull readers in.
An imaginative, engrossing work of speculative fiction, like an Edward Snowden rewrite of The Hunger Games.Pub Date: March 1, 2013
ISBN: 978-0988500419
Page Count: 334
Publisher: Flexion House
Review Posted Online: Aug. 12, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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