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THE MEASUREMENTS OF DECAY

An atypical and profound tale that readers won’t easily forget.

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Three people from different times and places set themselves on paths to save humanity in Edin’s unorthodox sci-fi debut.

Tikan Solstafir lives on a spaceship, the Equuleus, in the distant future. Most people aboard have a device implanted in their brain called a “procrustiis,” with which they can lose themselves in hallucinogenic visions called “metempsies.” Because he doesn’t metempsy, Tikan is one of the first to realize that the Equuleus has been invaded by strange beings that begin killing and mutilating people. Tikan, along with his pal Naim and pilot Mira, rush to activate the ship’s defense protocol. They later learn the invasion may relate to the procrustiis, which can be used as a weapon. The key to preventing tragedy may lie in the far-off Arcturus system. In 21st-century Paris (on Earth), an unnamed philosopher wants to somehow “fix humanity and the world,” but as he struggles to write his treatise, he damages his relationships with his lover, Sophia, and friend Pierre. His life ultimately spirals into vagrancy and criminality, but it doesn’t deter him from his goal—though how he’ll go about it is initially obscure. Sielle, meanwhile, is a girl with the ability to travel through time and space. While searching for “beauty in the world,” she moves from Moscow to the village of Mercia in the Middle Ages as well as to planets beyond Earth. When Tikan, the philosopher, and Sielle finally meet, humanity’s fate will be determined—for better or for much, much worse. Edin’s generally abstract tale brims with philosophical concepts. The bulk of them are understated and smoothly incorporated into the narrative. For example, the Equuleus passengers who constantly metempsy escape the real world so often that returning to it is disorienting: “Nothing in your life exists,” Tikan tells a metempsying Naim. At the same time, some of the more blatant philosophizing, as in the philosopher’s treatise in progress, has a tongue-in-cheek tone; a glimpse at his notes merely reveals a number of unfinished ideas and occasional, senseless scribblings. The novel repeatedly shifts its perspective among the three protagonists, with the philosopher’s first-person accounts, not surprisingly, involving more reflection than action. However, his lengthy tale covers a number of years and takes a truly shocking turn near the end. There are more conventional sci-fi moments as well, as when Tikan visits a seedy area to find a ship captain to smuggle him and others to a particular location—a setup that’s reminiscent of one in the classic 1977 film Star Wars. Edin’s prose gives visual elements a distinctive vibrancy (“Ever suspended above, the sun poured its blood over the planet”) and conceptual passages tangibility (“My senses were unlocking, the tumblers dropping, the gate to the world’s mysteries unlatching.”). Some initially murky plot details, such as how the protagonists link up, become clearer as the narrative continues, with many answers revealed in the enlightening—and outstanding—conclusion.

An atypical and profound tale that readers won’t easily forget.

Pub Date: March 25, 2018

ISBN: 978-1-73206-223-8

Page Count: 588

Publisher: CreateSpace

Review Posted Online: May 24, 2018

Kirkus Reviews Issue: July 1, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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