A grandly emotional piece that celebrates family and the overlap between Eastern and Western values.


In this debut novel, gunmen capture an archaeologist and her interpreter during a visit to ruins in Iran.

Anna, a professor from the Pacific Northwest, met Farah in Paris. She hired Farah to interpret Persian for her at ancient Iranian ruins. The excursion takes a dangerous turn when armed men kidnap the women and drive them to a holding cell. Now, Anna and Farah suffer darkness, strange animals sniffing at the door of their stone prison, and the stress of an unknown fate. To maintain their courage, the women exchange memories of childhood. Farah talks of her beloved father and sisters and time spent in a poppy field. Anna remembers a lonely but satisfying life with her grandparents on Bainbridge Island, surrounded by books and horses. Eventually, a young boy named Samir brings the prisoners bread, cheese, and water. Through his visits, they learn of tension among the gunmen. Some follow the commander, Arash, whom Anna finds striking from a distance. Others obey the vicious upstart, Hassan, who was part of a group that killed Samir’s mother and sister. While examining Anna at knife point, Hassan lightly draws the blade across her flesh to threaten her. Even if the women do escape, they may not get far. Lillehei’s novel embodies how Anna feels about the desert, which possesses beauty that she finds to be “subtle and hidden.” Tightly held secrets inform several characters’ arcs, the most shocking being Samir’s. Readers learn about Persian language (“joon” means soul) and myth. The simorgh is the “eternal bird that nests in the Tree of Knowledge, messenger between sky and earth.” How this legend relates to the plot may require patience from audiences who prefer overt spectacle in their epic adventures. The author does crank up the tension incrementally, but the burgeoning friendship between the analytical Anna and the emotional Farah remains the focus. Lovely moments abound, as when “the azure skies” and “the pastel array of colors of the air where it met the white wisps of cloud” summon the women home. A key incident leads one of the protagonists to an intriguing finale.

A grandly emotional piece that celebrates family and the overlap between Eastern and Western values.

Pub Date: Dec. 2, 2020

ISBN: 979-8-57-296169-0

Page Count: 395

Publisher: Self

Review Posted Online: Jan. 16, 2020

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.


Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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