THE BOOK OF MOON

AN LOÚR IHN G’ÉALACH

An offbeat but underexplained fantasy-quest story.

A highly illustrated, allegorical fantasy novel about loss and isolation.

It is time for a new Guardian in the realm. Elder Rā-alta has chosen her former friend, now a recluse farmer, F’ala to keep the chosen one safe until she is able to awaken into her role of Guardian. Now it is up to F’ala, used to being scorned for her unusual freckles, to raise the pale-skinned Mi’hal’ē and to keep her safe from those that will challenge her before she’s ready—even if that means keeping her from exploring the rest of the world and from knowing what, and who, she truly is. Mi’hal’ē looks and acts differently than anyone else she knows, and she just wants to find her own place in life. But because she’s forbidden to go past the nearby fields, there’s no way she’ll ever find out where she fits in. Mi’hal’ē must travel far further than she ever thought possible to discover the secrets of her past and her destiny. Quayle, the author of Look Left, Walk Green (2017), has created her own language to fit the world of her unusual fantasy-quest story, but it’s hard to get a true sense of place when so many of the words that characters use are inadequately explained. The author’s fine pen-and-ink illustrations will give readers a clearer idea of what the doglike humanoid characters look like, which is desperately needed; she also includes a pronunciation guide and a map. It’s clear that Quayle has put a lot of work into creating her wide-ranging and highly original world, but there’s a disconnect between the author and the audience; she writes as though readers already know everything about the fantastical setting. In a closing note, she reveals that her book is meant to be an allegory for mental illness and isolation, and she does strongly and clearly stress this theme throughout the book.

An offbeat but underexplained fantasy-quest story. (maps, pronunciation guide)

Pub Date: Oct. 20, 2019

ISBN: 978-0-578-56598-9

Page Count: 344

Publisher: Bowker

Review Posted Online: April 27, 2020

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  • New York Times Bestseller

TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

MASTERS OF DEATH

A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.

The latest in a series of rereleases from a prolific fantasist’s previously self-published works is a contemporary spin on the fairytale “Godfather Death.”

Viola Marek is an aswang, a shapeshifting vampire from Filipino folklore. She’s also a Chicago real estate agent trying to sell a mansion even while the ghost of its last owner, Thomas Edward Parker IV, is doing his supernatural best to block the sale.  In a desperate attempt to earn her commission, she hires Fox D’Mora, Death’s mortal godson, to use his connection to get the ghost to leave. Unfortunately, Death is unavailable: He’s been kidnapped, and to get him back and prevent a worlds-spanning catastrophe, Fox, Vi, the ghost, and assorted other supernatural creatures will have to enter a high-stakes gambling game that usually only immortals can play…but rarely win. The story begins with an unusual blend of myth, fairy tale, and cosmology and inevitably descends to an almost unbearable level of sentimentality, which is simultaneously a refreshing change from Blake’s usual tableau of self-involved, selfish characters who seem driven toward tragedies of their own making. Blake could definitely do a better job at showing the love between characters rather than merely telling the reader that they’re in love. She also has an unfortunate tendency to skip potentially intriguing bits of backstory if they don’t immediately drive the plot along, which is why readers never learn anything about Fox’s childhood and what it was actually like having Death as a parent. Nor does she explain why only two of the four archangels, Gabriel and Raphael, play outsize roles in determining the order of the cosmos, while Uriel and Michael are nowhere to be seen. Bits of anachronism—like the use of a rubber band as aversion therapy 200 years ago or the presence of a magical wristwatch from a time long before watches were common—might be intended to be Pratchett-style humor or chalked up to magic? It’s hard to tell what’s intentional and what is simply careless. Now that Blake has a traditional publisher, perhaps the editors of her future novels will guide the author to address these issues when they arise.

A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.

Pub Date: Aug. 8, 2023

ISBN: 9781250892461

Page Count: 416

Publisher: Tor

Review Posted Online: Aug. 19, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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